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  • Published: 4 May 2021
  • ISBN: 9780241432570
  • Imprint: Puffin Modern Classics
  • Format: Hardback
  • Pages: 224
  • RRP: $32.00

The Great Gatsby




A stylish, fashion-inspired edition of this classic tale, produced in partnership with the V&A

This beautiful hardback edition is a special Puffin Classic created in partnership with the world-famous V & A Museum, and has a stunning cover design inspired by the iconic fashion featured in the book.

Young, handsome and fabulously rich, Jay Gatsby is the bright star of the Jazz Age, but beneath the sparkling surface of his life, Gatsby is hiding a secret: a silent longing that can never be fulfilled

F. Scott Fitzgerald brilliantly captures both the fashionable society of the Jazz age and the disillusionment of post-war America.

  • Published: 4 May 2021
  • ISBN: 9780241432570
  • Imprint: Puffin Modern Classics
  • Format: Hardback
  • Pages: 224
  • RRP: $32.00

About the author

F Scott Fitzgerald

F. Scott Fitzgerald (1896 -1940) is widely considered the poet laureate of the Jazz Age. He wrote many short stories and four novels, This Side of Paradise, The Beautiful and the Damned, Tender is the Night and The Great Gatsby. An unfinished novel, The Last Tycoon, was published posthumously.

F. Scott Fitzgerald was born in 1896 in St Paul, Minnesota, and went to Princeton University, which he left in 1917 to join the army. He was said to have epitomized the Jazz Age, which he himself defined as 'a generation grown up to find all Gods dead, all wars fought, all faiths in man shaken'. In 1920 he married Zelda Sayre. Their traumatic marriage and her subsequent breakdowns became the leading influence on his writing. Among his publications were five novels, This Side of Paradise, The Great Gatsby, The Beautiful and the Damned, Tender is the Night and The Last Tycoon (his last and unfinished work); six volumes of short stories and The Crack Up, a selection of autobiographical pieces.

Fitzgerald died suddenly in 1940. After his death The New York Times said of him that 'He was better than he knew, for in fact and in the literary sense he invented a 'generation'. . . he might have interpreted and even guided them, as in their midle years they saw a different and nobler freedom threatened with destruction.'

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