Step into the shadows of Victorian Gotham where the Dark Knight confronts Jack the Ripper and a mad prophet in this genre-defining Elseworlds classic.
Before Elseworlds became a staple of DC storytelling, there was Gotham by Gaslight. This groundbreaking tale transports Batman to the gaslit streets of 19th-century Gotham, where he faces the terror of Jack the Ripper in a battle of wits and shadows. With its dark, atmospheric visuals and gripping narrative, this story redefined the boundaries of Batman's world.
The saga continues with Master of the Future, a thrilling sequel where Batman contends with a deranged prophet seeking to halt Gotham's evolution into the 20th century. Both stories deliver a unique blend of gothic aesthetics and superhero intrigue.
This volume collects Batman: Gotham by Gaslight #1 and Batman: Master of the Future #1.
Mike Mignola's fascination with ghosts and monsters began at an early age; reading Dracula at age twelve introduced him to Victorian literature and folklore, from which he has never recovered. Starting in 1982 as a bad inker for Marvel Comics, he swiftly evolved into a not-so-bad artist. By the late 1980s, he had begun to develop his own unique graphic style, with mainstream projects like Cosmic Odyssey and Batman: Gotham by Gaslight. In 1994, he published the first Hellboy series through Dark Horse. There are thirteen Hellboy graphic novels (with more on the way), several spin-off titles (B.P.R.D., Lobster Johnson, Abe Sapien, and Sir Edward Grey: Witchfinder), prose books, animated films, and two live-action films starring Ron Perlman. Along the way he worked on Francis Ford Coppola's film Bram Stoker's Dracula (1992), was a production designer for Disney's Atlantis: The Lost Empire (2001), and was the visual consultant to director Guillermo del Toro on Blade II (2002), Hellboy (2004), and Hellboy II: The Golden Army (2008). Mike's books have earned numerous awards and are published in a great many countries. Mike lives in Southern California with his wife, daughter, and cat.
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