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  • Published: 15 January 2015
  • ISBN: 9780224092296
  • Imprint: Yellow Jersey
  • Format: Paperback
  • Pages: 272
  • RRP: $32.99

Blood Horses



From the critically acclaimed author of Pulphead comes a wise, humorous and often beautiful memoir exploring the relationship between man and horse and the relationship between sons and fathers

One evening late in his life, veteran sportswriter Mike Sullivan was asked by his son what he remembered best from his three decades in the press box. The answer came as a surprise. 'I was at Secretariat's Derby, in '73. That was ... just beauty, you know?'

John Jeremiah Sullivan didn't know, not really, but he spent two years finding out, journeying from prehistoric caves to the Kentucky Derby. The result is Blood Horses, a wise, humorous and often beautiful memoir exploring the relationship between man and horse and the relationship between a sportswriter’s son and his late father.

  • Published: 15 January 2015
  • ISBN: 9780224092296
  • Imprint: Yellow Jersey
  • Format: Paperback
  • Pages: 272
  • RRP: $32.99

About the author

John Jeremiah Sullivan

John Jeremiah Sullivan is a contributing writer for The New York Times Magazine and the southern editor of The Paris Review. He writes for GQ, Harper's Magazine, and Oxford American, and is the author of Blood Horses and Pulphead. Sullivan lives in Wilmington, North Carolina.

Also by John Jeremiah Sullivan

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Praise for Blood Horses

An interestingly wayward memoir, exploring […] the vibrant mixture of equine beauty and human ugliness to be found on the racetrack

Jane Shilling, Evening Standard

A great father-son memoir, and a good book about horses, too

William Leith, 4 stars, Scotsman

You needn’t love horses to find this idiosyncratic memoir a joy

4 stars, Lady

This is desperately sad, life-affirming and just about wonderful. It is the book every father would want his son to write about him

Eileen Battersby, Irish Times

As a memoir, an elegy and a piece of investigative journalism, it dazzles

The Economist

All the elegance and craft [Sullivan] displayed in [Pulphead] are present once again

Tim Lewis, Observer

Bracingly eccentric…Sullivan is a remarkable writer

Jane Shilling, Sunday Telegraph

Luminous, hard-to-characterise book... By the sheer fizzing excellence of his writing [Sullivan] carries off the difficult task he set himself triumphantly

Simon Redfern, Independent on Sunday

Iridescent

Sunday Times

Amply researched and gracefully told

New Yorker

Sullivan has found the transcendent in the house

Sports Illustrated

It’s a daring approach combining memoir and reportage and, beneath it all, the autobiographical theme of his attempt to understand his father, but it works magnificently

Christena Appleyard, Literary Review

It's a good, funny, moving book... [Sullivan] is unfailingly good company, always curious, often very funny

Theo Tait, Guardian

Sullivan knows how to craft a paragraph and tell a story

Sunday Business Post

Reads as what it is: a great first book

Jon Day, New Statesman

This morning Blood Horses showed up in the post. It’s Sullivan’s first book, a memoir about his late sportswriter father as well as a study of equine racing and breeding and obsessing over. We’re only 30 pages in but we’re convinced Sullivan wins it by a length and then some. He’s the best thing to come out of the south since 2 Chainz

Dazed and Confused

A truly fascinating and brilliantly written memoir recounting Sullivan’s relationship with his writer father but also a detailed examination of horse racing, the love of his father’s life, as well as an entire treatise on the relationship between man and horse

Doug Johnstone, The Big Issue

Blood Horses blends history, reportage and personal essay. The book is an excellent example of the mixed form that the critic Northrop Frye once called an "anatomy". [Sullivan’s] enthusiasm rubs off

John Sunyer, Financial Times

Brilliant, sometimes maddeningly discursive memoir… Sullivan writes beautifully. Blood Horses makes better reading than the smoothly finished works of less witty and accomplished writers

Nick Rennison, Sunday Times

The prose is relaxed, the choice of material telling; it is once more a delight to be in his company

Paul Laity, Prospect