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About the book
  • Published: 1 July 2010
  • ISBN: 9781409000297
  • Imprint: Vintage Digital
  • Format: EBook
  • Pages: 80

Corpus




A book about bodies, dead and living, real and imagined, earthbound and resurrected

Corpus - Michael Symmons Roberts' Whitbread-Prize winning fourth collection - centres around the body. Mystical, philosophical and erotic, the bodies in these poems move between different worlds - life and after-life, death and resurrection - encountering pathologists' blades, geneticists' maps and the wounds of love and war.

Equally at ease with scripture (Jacob wrestling the Angel in 'Choreography') and science ('Mapping the Genome'), these poems are a thrilling blend of modern and ancient wisdom, a profound and lyrical exploration of the mysteries of the body:' So the martyrs took the lamb./ It tasted rich, steeped in essence/ Of anchovy. They picked it clean/ And found within, a goose, its pink/ Beak in the lamb's mouth like a tongue.' Ranging effortlessly between the physical extremes of death - from putrefaction to purification - and life - drought and flood, hunger and satiation - the poems in Corpus speak most movingly of 'living the half-life between two elements', of what it is to be unique and luminously alive.

  • Pub date: 1 July 2010
  • ISBN: 9781409000297
  • Imprint: Vintage Digital
  • Format: EBook
  • Pages: 80

About the Author

Michael Symmons Roberts

Michael Symmons Roberts was born in Preston, Lancashire in 1963. He has published six collections of poetry and received a number of accolades including the Forward Prize, the Costa Poetry Award and the Whitbread Poetry Prize. As a librettist, his work has been performed in concert halls and opera houses around the world. An award-winning broadcaster and dramatist, he has published two novels, and is Professor of Poetry at Manchester Metropolitan University. He is a Fellow of the Royal Society of Literature.

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Praise for Corpus

“Gorgeously meditative.”

Christina Patterson, Independent

“Michael Symmons Roberts is a religious poet, though not in the sense of brandishing doctrinal certainties; he reflects on the world in a way that is informed by a sense of grace, of transcendence, but the pieces are grounded in detail, beautifully expressed, subtly luminous.”

Robert Potts, Guardian


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