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  • Published: 2 June 2020
  • ISBN: 9780143774631
  • Imprint: Penguin
  • Format: Trade Paperback
  • Pages: 304
  • RRP: $36.00

Fake Baby

Dark humour from an exciting new novelist.

Fake Baby is a tender and funny exploration of the power of words, our perception of resilience and what it means to be real.

Nine Days.

One City.

Three Oddballs.

Stephen’s dead father is threatening to destroy the world. If Stephen commits the ultimate sacrifice and throws himself into the harbour, he will save humanity. The last thing he needs is a Jehovah’s Witness masquerading as a schoolboy and an admission to a mental health facility.
Jaanvi steals a life-like doll called James and cares for him as if he were her dead baby. Her husband demands she return him. But she and James have already bonded, and it’s nobody’s business how she decides to grieve.
Lucas, pharmacist and all-round nice guy, is having one of the worst weeks of his life. His employees forgot his birthday, his mother’s gone manic, and now his favourite customer is in hospital because of a medication error he made. Can he make things right? Or is life all downhill after forty?

'A darkly funny satire that's both moving and wise.' - Paula Morris

  • Pub date: 2 June 2020
  • ISBN: 9780143774631
  • Imprint: Penguin
  • Format: Trade Paperback
  • Pages: 304
  • RRP: $36.00

About the Author

Amy McDaid

Amy McDaid has a Master of Creative Writing (First Class Honours) and a Bachelor’s degree in English and History from the University of Auckland. The first draft of Fake Baby was awarded the Sir James Wallace Prize: New Zealand’s richest prize for a creative writing student. She works part-time as a Newborn Intensive Care Nurse and has work published in The Spinoff and Auckland University’s Three Lamps Journal. Her short story ‘Kowhai’ was shortlisted for the Katherine Mansfield Short Story Novice Award in 2008.

Praise for Fake Baby

“I'm just blown away by this book . . . it was highly entertaining and it made me cry . . . it also made me giggle, it made me laugh and smile and I think her writing is so well put together, it's so beautiful, so I'm very excited by this book . . . ten out of ten, it's a cracker.”

Louise Ward, Radio Kidnappers

“Such a wry, dry-humoured book while navigating really intense insights into mental health and medical systems in New Zealand. I just really enjoyed it, I thought it was great . . . I just love reading comedy in New Zealand fiction and this is it. . . Great cover, great book.”

Jenna Todd, Loose reads 98bFM

“Through honing in on the details of these characters, she finds a beautiful profundity in these comparatively small, personal tragedies. McDaid writes of the “unloved life, of which one can die”, and all three characters have had their unloved lives. By the end of Fake Baby, she’s also shown us, with delicate detail and real generosity, the truth that even a small kindness, a silent memorandum of care and understanding, can lift someone up above the surface, even for just one more day. It’s those daily kindnesses that build up to a life loved, and finally, a life lived.”

Sam Brooks, The Spinoff

“There’s a ton of insight and authenticity here. . . . Did I mention it’s funny? That gets a giant tick for me. You can feel the author not quite able to resist her chafings, characters being rude about drivers using mobile phones, The Chaser, Facebook obsessives, grammar. I agreed entirely. The novel is fascinated with word play, and the text bubbles with references to random fascinations like spontaneous combustion and whether women in burkas wear nice lingerie. And there are splendid lines.”

Mark Broatch, ANZL

“Full of drama, fervent acts, eccentrics, and missed opportunities, Fake Baby would make a great film. Auckland encroaches on the characters as they move between the urban and the rural, between shops and cafes, beaches and lonely public toilets. This is a great, entertaining read, and in addition, it is a relief that not all lives operate at such a high level of constant jitter, where all seemed poised in their nerviness to topple over into another, even scarier, realm.”

Jessie Neilson, Otago Daily Times

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