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  • Published: 15 March 2015
  • ISBN: 9781784701154
  • Imprint: Vintage
  • Format: Trade Paperback
  • Pages: 336
  • RRP: $47.99

Franco's Crypt

Spanish Culture and Memory Since 1936



  • Published: 15 March 2015
  • ISBN: 9781784701154
  • Imprint: Vintage
  • Format: Trade Paperback
  • Pages: 336
  • RRP: $47.99

About the author

Jeremy Treglown

Jeremy Treglown is a writer and critic who spends part of every year in Spain and has written about the country for Granta and other magazines. His previous books include biographies of Roald Dahl, Henry Green (Dictionary of Literary Biography Award), and V. S. Pritchett (shortlisted for the Whitbread Award for Biography; Duff Cooper Prize for Literature). A former editor of The Times Literary Supplement, he has taught at Oxford, University College London, Oxford, Princeton and Warwick, and has written for The New Yorker and The New York Times Book Review. He lives in London.

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Praise for Franco's Crypt

This is the most comprehensive, most perceptive book on Spain that I have read for a long time. I'm full of admiration for the scale of Treglown’s undertaking, for its fine balance between storytelling and reflection and its subtle and deep political and aesthetic judgments, which touch on practically everything that irritates or pains me most about my country. Normally these matters are presented abroad with exasperating stereotypes and, at home, with intolerable factionalism. Spain, so obsessed with memory, is extraordinarily forgetful. This is a book that must be read, in Spain and abroad, by anyone who wants to understand the country’s history, her present and future

Antonio Munoz Molina

One of the best books I have read on the recent history of the country...His sensitivity unfolds endless insights. He writes with such economy and clarity that one can hardly bear to stop reading

Felipe Fernandez-Armesto, TLS

A discerning, provocative book, part travelogue, part reflection on how memory passes into history, and part cultural narrative

Valerie Miles, New York Times

In a book ranging elegantly between travel writing, history, literary criticism and investigative journalism, Treglown unpicks the puzzle of Spain

Giles Foden, Condé Nast Traveller

Evocative and melancholy

Sunday Business Post

Alert to nuance, resistant to over-simplification…. Intriguing and passionately argued … in the Gerald Brenan tradition

El País

This is the most comprehensive, most perceptive book on Spain that I have read for a long time. I'm full of admiration for the scale of Treglown’s undertaking, for its fine balance between storytelling and reflection and its subtle and deep political and aesthetic judgments, which touch on practically everything that irritates or pains me most about my country. Normally these matters are presented abroad with exasperating stereotypes and, at home, with intolerable factionalism. Spain, so obsessed with memory, is extraordinarily forgetful. This is a book that must be read, in Spain and abroad, by anyone who wants to understand the country’s history, her present and future

Antonio Munoz Molina

In a book ranging elegantly between travel writing, history, literary criticism and investigative journalism, Treglown unpicks the puzzle of Spain

Giles Foden, Condé Nast Traveller

Evocative and melancholy

Sunday Business Post

Treglown's interplay of history with personal narratives is skilful and incisive

Mercedes Camino, Times Higher Education

A deeply felt exploration of a part of history that to most of us is dark matter, and a thought-provoking portrait of a society where the dictator, instead of being ousted or defeated, died happy and old at the age of 82

Sinclair McKay, Daily Telegraph

Important, lively and appetisingly varied... No one who cares for the deep and dark truth about Spain can fail to admire and learn from what is to be found in the many-chambered depths of Franco's Crypt

Frederic Raphael, Literary Review

One of the many pleasures of Franco's Crypt is that it draws our attention to a long list of Franco-era writers and film-makers whose work is unfamiliar or forgotten

Patrick Marnham, Spectator

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