Illuminations
  • Published: 15 November 2015
  • ISBN: 9781847923868
  • Imprint: Bodley Head
  • Format: Trade Paperback
  • Pages: 272
  • RRP: $42.99

Illuminations

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A legendary collection of essays by one of the most influential thinkers of the 20th century

Illuminations contains the most celebrated work of Walter Benjamin, one of the most original and influential thinkers of the 20th Century: 'The Work of Art in the Age of Mechanical Reproduction', ‘The Task of the Translator’ and 'Theses on the Philosophy of History', as well as essays on Kafka, storytelling, Baudelaire, Brecht's epic theatre, Proust and an anatomy of his own obsession, book collecting.

This now legendary volume offers the best possible access to Benjamin’s singular and significant achievement, while Hannah Arendt’s introduction reveals how his life and work are a prism to his times.
  • Published: 15 November 2015
  • ISBN: 9781847923868
  • Imprint: Bodley Head
  • Format: Trade Paperback
  • Pages: 272
  • RRP: $42.99
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About the author

Walter Benjamin

Walter Benjamin (1892-1940) was a philosopher, translator and critic. Born in Berlin into a prosperous Jewish family, he made a precarious living as a literary journalist, championing the drama of Bertolt Brecht and translating the work of Baudelaire and Proust. He is most famous for his essays ‘The Task of the Translator’ (1923) and ‘The Work of Art in the Age of Mechanical Reproduction’ (1936). With the rise of the Nazis in 1933, he emigrated for Paris, and in 1940 he fled for the Spanish border, where he committed suicide.

Also by Walter Benjamin

The Storyteller Essays
One-Way Street And Other Writings
One-Way Street and Other Writings
The Work Of Art In The Age Of Mechanical Reproduction
The Work of Art in the Age of Mechanical Reproduction
See all

Praise for Illuminations

From the evidence of this book I would suggest that Benjamin was one of the great European writers of this century

Philip Toynbee, Observer

He explained the modern with an authority that fifty years of unpredictable change have not vitiated

Frank Kermode, New York Review of Books

Like Baudelaire, Benjamin brings the very new into shocking conjunction with the very old … He is in search of a surrealist history and politics, one which clings tenaciously to the fragment, the miniature, the stray citation, but which impacts these fragments one upon the other to politically explosive effect, like the Messiah who will transfigure the world completely by making minor adjustments to it

Terry Eagleton