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  • Published: 22 November 2022
  • ISBN: 9780262544078
  • Imprint: MIT Press
  • Format: Paperback
  • Pages: 264
  • RRP: $65.00
Categories:

Marseille Mix



A journey through the history, cultures, and societies of Marseille.

A journey through the history, cultures, and societies of Marseille.

There are many Marseilles, or at least many versions of Marseille: seaside village, haven of gangsters, gateway to the East, city of immigrants and outcasts. It is by turns the dull bourgeois provincial town where nothing ever happens and the mysterious unknowable city of the Mediterranean. In Marseille Mix, William Firebrace explores the many Marseilles, the invented and the actual. Leading readers down narrow streets, through undulating terrain that seems at once, or serially, Italian, Greek, Levantine, and North African, Firebrace traces the history and culture of Marseille through landscapes, buildings, food, films, literature, and criminology.
 
In seven chapters, in writing that is by turns essay, narrative, description, list, recipe, glossary, and conversation, Firebrace investigates the city’s defining mix. He tells stories of famous Marseillais, including Marcel Pagnol and Antonin Artaud, and famous visitors, including the dying Arthur Rimbaud and Walter Benjamin (who wrote about one visit in “Hashish in Marseille”). He describes the brief period when Marseille was the point of departure for European refugees fleeing the Nazis and the city’s mixture of desperation and decadence during the Vichy regime. He visits the basilica of Notre Dame de la Garde and gazes down from its terrace at the panoramic view: an agglomeration of neighborhoods and landscapes that became a city.

  • Published: 22 November 2022
  • ISBN: 9780262544078
  • Imprint: MIT Press
  • Format: Paperback
  • Pages: 264
  • RRP: $65.00
Categories:

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Praise for Marseille Mix

Firebrace is at once keen dragoman, critic, poet, constantly astonished spectator, and informal reporter. His curiosity is boundless.’ — Jonathan Meades 

‘Star Theatre offers fascinating insights into how astronomy has, through planetariums, evolved over the past century from a tool for education and personal improvement to a crowd-pleasing public spectacle.’ — Nature

‘A masterful and well-researched examination of the architectural heritage and cultural significance of planetariums, such as the role of the Zeiss projector in fostering relations between Soviet-controlled East Germany and the rest of the world. It also contemplates how the development of planetariums has been influenced—indeed, challenged—by discoveries in astronomy such as black holes, gravitational waves, and the theory of dark matter, as well as the growing capabilities of projection technology . . . Excellent images.’ — BBC Sky at Night Magazine