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  • Published: 31 January 2013
  • ISBN: 9780143123811
  • Imprint: Penguin
  • Format: Hardback
  • Pages: 912
  • RRP: $79.99

Middlemarch



From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by type superstar Jessica Hische

It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and gift-worthy hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet by superstar type designer Jessica Hische, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. A collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series design encompasses foil-stamped paper-over-board cases in a rainbow-hued spectrum across all twenty-six book spines and a decorative stain on all three paper edges. Penguin Drop Caps debuts with an “A” for Jane Austen’s Pride and Prejudice, a “B” for Charlotte Brontë’s Jane Eyre, and a “C” for Willa Cather’s My Ántonia, and continues with more classics from Penguin.

E is for Eliot. Considered one the masterpieces of realist fiction, George Eliot’s novel, Middlemarch: A Study of Provincial Life, explores a fictional nineteenth-century Midlands town in the midst of modern changes. The proposed Reform Bill promises political change; the building of railroads alters both the physical and cultural landscape; new scientific approaches to medicine incite public division; and scandal lurks behind respectability. The quiet drama of ordinary lives and flawed choices are played out in the complexly portrayed central characters of the novel—the idealistic Dorothea Brooke; the ambitious Dr. Lydgate; the spendthrift Fred Vincy; and the steadfast Mary Garth. The appearance of two outsiders further disrupts the town’s equilibrium—Will Ladislaw, the spirited nephew of Dorothea’s husband, the Rev. Edward Casaubon, and the sinister John Raffles, who threatens to expose the hidden past of one of the town’s elite. Middlemarch displays George Eliot’s clear-eyed yet humane understanding of characters caught up in the mysterious unfolding of self-knowledge. 

  • Published: 31 January 2013
  • ISBN: 9780143123811
  • Imprint: Penguin
  • Format: Hardback
  • Pages: 912
  • RRP: $79.99

About the authors

George Eliot

Mary Ann (Marian) Evans was born in 1819 in Warwickshire. She attended schools in Nuneaton and Coventry, coming under the influence of evangelical teachers and clergymen. In 1836 her mother died and Marian became her father's housekeeper, educating herself in her spare time. In 1841 she moved to Coventry, and met Charles and Caroline Bray, local progressive intellectuals. Through them she was commissioned to translate Strauss's Life of Jesus and met the radical publisher John Chapman, who, when he purchased the Westminster Review in 1851, made her his managing editor.

Having lost her Christian faith and thereby alienated her family, she moved to London and met Herbert Spencer (whom she nearly married, only he found her too 'morbidly intellectual') and the versatile man-of-letters George Henry Lewes. Lewes was separated from his wife, but with no possibility of divorce. In 1854 he and Marian decided to live together, and did so until Lewes's death in 1878. It was he who encouraged her to turn from philosophy and journalism to fiction, and during those years, under the name of George Eliot, she wrote Scenes of Clerical Life, Adam Bede, The Mill on the Floss, Silas Marner, Romola, Felix Holt, Middlemarch and Daniel Deronda, as well as numerous essays, articles and reviews.

George Eliot died in 1880, only a few months after marrying J. W. Cross, an old friend and admirer, who became her first biographer. She was buried beside Lewes at Highgate. George Eliot combined a formidable intelligence with imaginative sympathy and acute powers of observation, and became one of the greatest and most influential of English novelists. Her choice of material widened the horizons of the novel and her psychological insights radically influenced the novelist's approach to characterization. Middlemarch, considered by most to be her masterpiece, was said by Virginia Woolf to be 'one of the few English novels written for grown-up people'.