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  • Published: 15 October 2007
  • ISBN: 9781590172308
  • Imprint: NY Review Books
  • Format: Paperback
  • Pages: 208
  • RRP: $34.00
Categories:

Novels in Three Lines



A NEW YORK REVIEW BOOKS ORIGINAL

Novels in Three Lines collects more than a thousand items that appeared anonymously in the French newspaper Le Matin in 1906—true stories of murder, mayhem, and everyday life presented with a ruthless economy that provokes laughter even as it shocks. This extraordinary trove, undiscovered until the 1940s and here translated for the first time into English, is the work of the mysterious Félix Fénéon. Dandy, anarchist, and critic of genius, the discoverer of Georges Seurat and the first French publisher of James Joyce, Fénéon carefully maintained his own anonymity, toiling for years as an obscure clerk in the French War Department. Novels in Three Lines is his secret chef-d’oeuvre, a work of strange and singular art that brings back the long-ago year of 1906 with the haunting immediacy of a photograph while looking forward to such disparate works as Walter Benjamin’s Arcades Project and the Death and Disaster series of Andy Warhol.

  • Published: 15 October 2007
  • ISBN: 9781590172308
  • Imprint: NY Review Books
  • Format: Paperback
  • Pages: 208
  • RRP: $34.00
Categories:

About the author

Felix Feneon

Félix Fénéon (1861-1944) was a French anarchist, editor, and art critic in Paris during the late 1800's. Born in Turin, he moved to Paris at the age of 20 to work for the Ministry of Defense. He attended the Impressionist exhibition in 1886, later coining the term "Neo-Impressionism" to define the movement led by Georges Seurat. He was the first french publisher to publish James Joyce. In 1892, the French police searched his apartment, claiming him to be an active anarchist. That summer, along with other intellectuals and artists, Fénéon was placed on trial, a case which is now know as The Trial of the Thirty. Although the charges were dismissed, he was discharged from the Ministry of Defense. Famously painted by Paul Signac, the painting now hangs in New York's Museum of Modern Art.

Praise for Novels in Three Lines

  • "Félix Fénéon was one of the most influential critics of art and literature in fin-de-siecle Paris... He was, clearly, a man to whom history-cultural history-owes some recognition." -New York Times Book Review
  • "[T]he 'Nouvelles'...were simply news items concerning accidents, quarrels, mayhem, fires and murders, reduced to minimal length and rendered tragic-comic or ludicrous by artful diction, euphemism, understatement and other devices. They have stylistic interest, contain political and social overtones, and convey a concept of the absurdity of life." -French Review
  • "Fénéon is best known today for the art criticism that helped establish; for his Nouvelles in trois lignes, the pithy and often startlingly phrased newspapers accounts of current events that have been cited as predecessors of 'minimal' story writing"-American Historical Review
  • "The fastidious editor Félix Fénéon, who placed an incisive style in the service of avant-garde interests on every front, married rhetoric and action, art and politics. Closely associated with Symbolism, and with the Neo-Impressionism whose theoretical and formal basis he defined, Fénéon was probably the most important art critic of the late nineteenth century." -The New Republic
  • "Fénéon is best remembered for his devastatingly spare News stories...for Le Matin"-Burlington Magazine*