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  • Published: 30 August 2022
  • ISBN: 9780143778394
  • Imprint: Penguin
  • Format: Paperback
  • Pages: 208
  • RRP: $30.00

Pounamu Pounamu




Over 50 years in print!

Pounamu Pounamu is classic Ihimaera and also classic New Zealand literature. First published in 1972, it was his first book, which as he says in his new introduction 'fulfilled a childhood vow: to write about Maori using his own self and home place'. The vivid stories in this collection not only explore but also celebrate what it is to be a New Zealander, and they do so from a lively Maori perspective.

The seeds of Ihimaera's later works were first sown in this ground-breaking collection: The Whale Rider in his story 'The Whale'; The Rope of Man in 'Tangi'; and the character of Simeon from Bulibasha, King of the Gypsies in 'One Summer Morning'. The book also covers the themes of aroha (love), whanaungatanga (kinship) and manaakitanga (supporting each other), which are so integral to Ihimaera's work.

  • Published: 30 August 2022
  • ISBN: 9780143778394
  • Imprint: Penguin
  • Format: Paperback
  • Pages: 208
  • RRP: $30.00

About the author

Witi Ihimaera



Three-time winner of the Wattie/Montana Book of the Year award, Katherine Mansfield fellow and playwright Witi Ihimaera is one of New Zealand’s most prolific and accomplished writers. Witi’s first novel, Tangi, won the Wattie Book of the Year Award in 1974, a feat he repeated with The Matriarch in 1986. His celebrated novel Bulibasha, King of the Gypsies, now adapted as the film Mahana, won the Montana Book of the Year award in 1995. Witi’s other novels and short story collections include The Whale Rider (also adapted as an internationally successful film); Dream Swimmer (sequel to the award-winning The Matriarch); Pounamu, Pounamu and Nights In The Gardens of Spain. In 2015 he published the first volume of his autobiography, Maori Boy.
 

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Article
Looking for ways into Witi Ihimaera's works?

Writing about the Māori world, both rural and urban, often knocking into the Pākehā status quo, Witi Ihimaera’s writing has always offered a broader view of what New Zealand literature could be – should be – about.

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