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  • Published: 3 November 2009
  • ISBN: 9780451531452
  • Imprint: Signet
  • Format: Paperback
  • Pages: 480
  • RRP: $19.99

Metamorphoses




"I think this version is terrific. The light enjambed English hexameters are a great success. The effect is properly propulsive." - Prof A D Nuttall, Oxford

A masterpiece of Western culture, this is the first attempt to link all the Greek myths in a cohesive whole to the Roman myths of Ovid?s day. Horace Gregory, in this modern translation, turns his own poetic gifts toward a deft reconstruction of Ovid?s ancient themes.

  • Published: 3 November 2009
  • ISBN: 9780451531452
  • Imprint: Signet
  • Format: Paperback
  • Pages: 480
  • RRP: $19.99

About the author

Ovid

Publius Ovidius Naso was born in Italy on 20 March 43 BC. He was educated in Rome and worked as a public official before taking up poetry full-time. His earliest surviving work is the collection of love poems called the Amores, which was followed by the Heroides. The Ars Amatoria (The Art of Love) and the Remedia Amoris (The Cure for Love) were probably written between 2 BC and 2 AD. These were followed by his two epic poems the Fasti and the Metamorphoses. In 8 AD Ovid fell out of favour with the Emperor Augustus due to a 'carmen et error' ('a poem and a mistake') and was banished to what is now Romania. While in exile he wrote Tristia, Ibis and the Epistulae ex Ponto which consists of letters appealing for help in his efforts to be recalled to Rome. Ovid died in exile in 18 AD.

Ovid (43BC-18AD) was born at Sulmo (Sulmona) in central Italy. Coming from a wealthy Roman family and seemingly destined for a career in politics, he held minor official posts before leaving public service to write, becoming the most distinguished poet of his time. His works, all published in Penguin Classics, include Amores, a collection of short love poems; Heroides, verse-letters written by mythological heroines to their lovers; Ars Amatoria, a satirical handbook on love; and Metamorphoses, his epic work that has inspired countless writers and artists through the ages.

Praise for Metamorphoses

“Reading Mandelbaum’s extraordinary translation, one imagines Ovid in his darkest moods with the heart of Baudelaire . . . Mandelbaum’s translation is brilliant. It throws off the stiff and mild homogeneity of former translations and exposes the vivid colors of mockery, laughter, and poison woven so beautifully by the master.” —Booklist   “Mandelbaum’s Ovid, like his Dante, is unlikely to be equalled for years to come.” —Bloomsbury Review   “The Metamorphoses is conceived on the grandest possible scale . . . The number and variety of the metamorphoses are stunning: gods and goddesses, heroes and nymphs, mortal men and women are changed into wolves and bears, frogs and pigs, bulls and cows, deer and birds, trees and flowers, rocks and rivers, spiders and snakes, mountains and stars, while ships become sea nymphs, ants and stones and statues become people, men become women and vice versa . . . An elegantly entertaining and enthralling narrative.” —from the Introduction by  J. C. McKeown