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  • Published: 21 May 2019
  • ISBN: 9781784742836
  • Imprint: Chatto & Windus
  • Format: Trade Paperback
  • Pages: 336
  • RRP: $37.00
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The Porpoise




After the massive critical acclaim of The Pier Falls, Mark Haddon is back with a thrilling and ambitious literary novel packed with his own remarkable storytelling

A wild and brilliant literary adventure from one of our greatest writers

A time-slip adventure epic of fathers, mothers and daughters, pirates and ghosts, Mark leapfrogs from ancient times to modern to confront the perils of childbirth, the madness of grief (and the cold-sweat horror of being thrown overboard, presumed dead, wrapped in a shroud, in a sealed box), and the broken institution of kingship. The characters are bold, extraordinary, larger than life – including some significant female leads. There is a strong sense of place, as in all his books – this is a book that traverses Europe, the countries and people and islands that can be reached by sea and air.

Mark’s writing is blisteringly good, and his storytelling powers are at full throttle – he can turn from the turmoil of the inside mind to the theatrics of a flamboyant fight scene, then pivot to moments of poised calm and exceptional beauty. In the wake of the stunning reviews for his story collection, The Pier Falls, this new novel cements Mark’s position as a literary polymath. As in Pier, Mark’s treatment of death and loss is always surprising and deeply affecting… and vivid.

  • Pub date: 21 May 2019
  • ISBN: 9781784742836
  • Imprint: Chatto & Windus
  • Format: Trade Paperback
  • Pages: 336
  • RRP: $37.00

About the Author

Mark Haddon

Mark Haddon is a writer and artist. His bestselling novel, The Curious Incident of the Dog in the Night-Time, was published simultaneously by Jonathan Cape and David Fickling in 2003. It won seventeen literary prizes, including the Whitbread Award. In 2012, a stage adaptation by Simon Stephens was produced by the National Theatre and went on to win 7 Olivier Awards in 2013 and the 2015 Tony Award for Best Play. In 2005 his poetry collection, The Talking Horse and the Sad Girl and the Village Under the Sea, was published by Picador, and his play, Polar Bears, was produced by the Donmar Warehouse in 2010. His most recent novel, The Red House, was published by Jonathan Cape in 2012. The Pier Falls, a collection of short stories, was also published by Cape in 2016. To commemorate the centenary of the Hogarth Press he wrote and illustrated a short story that appeared alongside Virginia Woolf's first story for the press in Two Stories (Hogarth, 2017).

Also by Mark Haddon

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Praise for The Porpoise

“Mark Haddon cuts right down to the grittiness of humanity every time he writes. The Porpoise is a beautiful, unputdownable, ancient tangle with its own sweeping tides and dangerous depths”

Daisy Johnson

“Staggeringly ambitious, innovative, beautifully written ... The Porpoise has the pace of a really good thriller, combined with a subtlety and depth that few thrillers have”

Pat Barker

“[The Porpoise] races across the oceans: it is a book of thrilling, salt-caked adventures that scintillate like sunlight on the surface of the sea. There are plagues and famines and sword fights with not-quite human adversaries. There are desperate escapes and terrible family separations and dramatic recognitions. It is a breathless, delightful, utterly absorbing read”

The Guardian

“It's hard to describe just how much tremendous joy and pleasure there is on every page”

Charlotte Higgins

“A full-throttle blast of storytelling mastery. I read it on the plane in a single sitting at 30,000 feet and enjoyed every second. Gorgeously written and very clever, but also such fun! Ancient and modern overlap and tangle in exhilarating ways, it’s like romping through a Literary Netflix: an episode of something historical and bloody, then something slick and contemporary, then something really weird and unnerving. So many pleasures in one book. The Porpoise is a joy to read”

Max Porter

“Beguiling...ambitious...bold... Haddon's prose is beautiful, and he is utterly in command of his slippery material... An elegant homage to stories' capacity for endless renewal”

Claire Allfree, Evening Standard

“An enthralling novel that will sweep you up from the off”

Woman & Home, Isabelle Broom

“The extraordinary force and vividness of Haddon's prose ensure that The Porpoise reads [...] as a continually unfolding demonstration of the transporting power of stories... This is language that knows how to do things: sail a ship, make a gold buckle, negotiate the tides of the Thames. It's a stunningly effective combination of the quotidian and the mythic that pins impossibility to the page”

Justine Jordan, Guardian

“Compelling, satisfying and moving... Haddon's writing is exquisite, balancing simple storytelling with searing insight”

Paul Connolly, Metro

“A beautifully rendered retelling…[and] a gripping novel that, despite its rollicking plot, never feels relentless, and is often very affecting indeed”

Jon Day, Financial Times

“The Porpoise is terrifically violent, with a bright, innocent ferocity … Haddon wants to restore agency to the female characters sidelined by the Antiochus legend. This could feel like a condescending attempt to end up on the right of history, but doesn’t”

Katy Waldman, The New Yorker

“A fantastical narrative that involves rampaging pirates, ghost women and princesses...Bold”

Andrea Martin, Heat

“The Porpoise is beautifully written”

Johanna Thomas-Corr, The Times

“[A] multi-layered, ambitious novel… [with] an immersive, intricate narrative… Elegant, inventive and thought-provoking”

Simon Humphreys, Mail on Sunday

“The Porpoise is lovely, sad, ambitious and admirable... Every age retells, refocuses and interprets the classics. In The Porpoise Mark Haddon has done so in a way that makes us look afresh not only at the story of Pericles but also at storytelling itself”

Simon Baker, Literary Review

“Daring... extraordinary... Haddon’s writing is beautiful, almost hallucinatory at times, and his descriptions so rich and lush and specific that smells and sights and tastes and sounds — foam smashing across a boat’s deck; a breakfast of olives and barley bread soaked in wine; a woman trapped alive in a coffin — all but waft and dance off the page... The Porpoise is a provocative and deeply interesting work”

Sarah Lyall, New York Times

“Mark Haddon has written a terrifically exciting novel called The Porpoise … so riveting that I found myself constantly pining to fall back into its labyrinth of swashbuckling adventure and feminist resistance”

Ron Charles, The Washington Post

“Beguiling yet unsettling”

Eithne Farry, Daily Mail

“Haddon’s glittering tapestry of a novel skilfully redeploys the structures of Pericles’ source material… In The Porpoise, Haddon gives voice to a character who, in Shakespeare, receives no more than a passing mention, and in doing so, shows the transcendent power of stories to heal and restore”

Philip Womack, Independent

“Seriously good... a beautiful read you won't forget”

Clara Strunk, Evening Standard *Summer Reads*

“A rollicking fantastical narrative”

i

“The Porpoise is a defiantly odd novel, dependent on the fine caul of Haddon’s prose to keep together the heavily spiced romantic mixture within… Haunted not just by its direct source but by Ovid and others, the novel exists in a world of old magic, of stories within stories, and webs of allusion that would crumble swiftly if mishandled, but which, here, weave their spell marvellously well”

Tim Smith-Laing, Daily Telegraph

“A helix, a mirror ball, a literary box of tricks… take you pick: this is a full-spectrum pleasure, mixing metafictional razzmatazz with pulse-racing action and a prose style to die for. I’ll be staggered if it’s not spoken of whenever prizes are mentioned this year”

Anthony Cummins, Observer

“This gripping and evocative novel questions the nature of the stories we tell ourselves and others”

Birmingham Mail

“There is storytelling of such primacy in Mark Haddon’s The Porpoise, that when I turned the last page, I was left completely elated. A gorgeous, enlivening experience. It is also one that insistently asks: how? How did all this add up to something so sublime? How, with all its subtle slips, and stunningly weird passages, could this strange, beautiful book feel so finely composed? It is disarmingly wild. And the story itself, in which the myth of Appolonius, remixed as Pericles by Shakespeare and George Wilkins, is again turned inside out, thrown backward and forward, and hurled against oceans (in an act of imaginative heroism by the author), invites us to understand something Haddon always has, which is that even stories as old as this one can remain relevant to our current moment. Especially if they are told with this much originality and conviction”

Guy Gunaratne, Goldsmiths Prize

“Haddon deftly adapts this ancient myth for the 21st century to illuminate a timeless, ugly truth about how the violent appetites of men strip women of their agency”

Esquire

“A wild adventure...full of splendid incident... There is much to enjoy in this novel -- the liveliness of Haddon's imagination and the virtuosity of his style”

Allan Massie, The Scotsman

“[The Porpoise] achieve[s] the truly Shakespearean feat of simultaneously conveying disgust at the darkest aspects of human behaviour and relishing them, making the reader feel horribly – and deliciously – complicit”

Jake Kerridge, Sunday Express

“Stamped with the same bold and original imagination… Haddon’s mash-up of myth and history may have a fantastical feel, but once the reader has adjusted to his exuberant originality they will find prose on every page that is pure joy”

Jane Thynne, Tablet, *Novel of the Week*

“Haddon writes with wrenching beauty about how the world inflicts itself on the disadvantaged... It's a testament to Haddon's prodigious gifts as a storyteller that this strange, epic adventure is so compulsively readable”

Nicholas Mancusi, Time Magazine

“A strange, tangled web of a story, drawing on ancient mythology and expanding into time travel… this innovative novel offers escapes into multiple worlds”

Culture Whisper

“Irresistible storytelling that slides between the present day and a mythic realm… A heady delight”

Guardian, *Summer Reads of 2019*

“The novel draws on Shakespeare and Greek legend, and is the sort of mile-a-minute adventure you can get lost in for hours without realising”

ShortList, *Summer Reads of 2019*

“[The Porpoise] confirms the sense of a gifted writer letting his talent off the leash at last… Mind-bending yet marvellously readable, it stakes Haddon’s claim to be one of the best writers in Britain right now”

Daily Mail, *Summer reads of 2019*

“Haddon conveys all this with startling granularity: the stinking, seething Jacobean London traversed by the ghosts of Wilkins and Shakespeare… Haddon's novel creates, throughout, a looming sense that something very bad but not quite perceptible is in the process of unfolding: a terrible half-glimpsed fate that the characters are powerless to resist”

Adam Smyth, London Review of Books

“The Porpoise begins as a page-turning thriller and soon shifts into something slippery and strange – but remains propulsive throughout”

New Statesman


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