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  • Published: 2 January 2014
  • ISBN: 9780399252846
  • Imprint: Philomel
  • Format: Hardback
  • Pages: 32
  • RRP: $40.00

A Dance Like Starlight

One Ballerina's Dream





An inspiring book about the first black prima ballerina, illustrated by an award-winning artist.

A story of little ballerinas with big dreams.

Little ballerinas have big dreams. Dreams of pirouettes and grande jetes, dreams of attending the best ballet schools and of dancing starring roles on stage. But in Harlem in the 1950s, dreams don’t always come true—they take a lot of work and a lot of hope. And sometimes hope is hard to come by.
 
But the first African-American prima ballerina, Janet Collins, did make her dreams come true. And those dreams inspired ballerinas everywhere, showing them that the color of their skin couldn’t stop them from becoming a star.
 
In a lyrical tale as beautiful as a dance en pointe, Kristy Dempsey and Floyd Cooper tell the story of one little ballerina who was inspired by Janet Collins to make her own dreams come true.

  • Published: 2 January 2014
  • ISBN: 9780399252846
  • Imprint: Philomel
  • Format: Hardback
  • Pages: 32
  • RRP: $40.00

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Praise for A Dance Like Starlight

Dreams do come true for a Harlem girl in the 1950s.
Mama works hard sewing costumes for the ballet dancers at the old Metropolitan Opera House, and her daughter delights in trying them on and whirling around in front of a mirror. She even receives special permission from the Ballet Master to take class. But dreaming may not be enough. The skies over New York City are not clear enough to see the first star, the wishing star, and--more to the point--"Could a colored girl like me / ever become / a prima ballerina?" Then, one special night, the little girl and her mama attend a performance featuring Janet Collins, the first African-American dancer at the Met. Collins first danced there on November 13, 1951. Dempsey's expressive free verse is full of longing and dreams, all in the very believable voice of a ballet-loving girl. Cooper employs his signature style of textured art to lovingly capture Harlem in the '50s. His little dancer is equally beautiful waiting for a city bus or elegantly soaring as high as the lights of the theater in a pas de deux with Collins.
A warm, inspirational collaboration that will resonate in the hearts of all who dream. (author's note) (Picture book. 3-7)