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  • Published: 1 October 2009
  • ISBN: 9780099540120
  • Imprint: Vintage
  • Format: Paperback
  • Pages: 320
  • RRP: $28.99

A History Of The World In 10 1/2 Chapters




'Funny, ironic, erudite, surprising, and not afraid to take a dive overboard into the depths of sorrow and loss. My novel of the year' Nadime Gordimer

Winner of the Man Booker Prize for Fiction 2011

Beginning with an unlikely stowaway's account of life on board Noah's Ark, A History of the World in 10½ Chapters presents a surprising and subversive fictional-history of earth told from several kaleidoscopic perspectives. Noah disembarks from his ark but he and his Voyage are not forgotten: they are revisited in on other centuries and other climes - by a Victorian spinster mourning her father, by an American astronaut on an obsessive personal mission. We journey to the Titanic, to the Amazon, to the raft of the Medusa, and to an ecclesiastical court in medieval France where a bizarre case is about to begin...

This is no ordinary history, but something stranger; a challenge and a delight for the reader's imagination. Ambitious yet accessible, witty and playfully serious, this is the work of a brilliant novelist.

  • Published: 1 October 2009
  • ISBN: 9780099540120
  • Imprint: Vintage
  • Format: Paperback
  • Pages: 320
  • RRP: $28.99

About the author

Julian Barnes

Julian Barnes is the author of thirteen novels, including The Sense of an Ending, which won the 2011 Man Booker Prize for Fiction, and Sunday Times bestsellers The Noise of Time and The Only Story. He has also written three books of short stories, four collections of essays and three books of non-fiction, including the Sunday Times number one bestseller Levels of Life and The Man in the Red Coat, which was shortlisted for the 2019 Duff Cooper Prize. In 2017 he was awarded the Légion d'honneur.

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Praise for A History Of The World In 10 1/2 Chapters

Frequently brilliant, funny, thoughtful, iconoclastic, and a delight to read. Barnes is like a worldly, secular reincarnation of a medieval gloss-writer on sacred texts, and what he offers us is the novel as footnote to history, as subversion of the given, as brilliant, elaborate doodle around the margins of what we think about what we think we know

Observer

You will want to read it again and again, and why not? - there's nothing around to touch it

Literary Review

There is more moral and intellectual fodder, and more jokes, here than you will read in a month of Sundays... storytelling and teaching which captivate, liberate, and above all, enchant

Financial Times

This is a novel like no other - provocative, superbly funny, a wonderful and most original work...gives the reader a sense of ebullient, whooping joy

Guardian