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  • Published: 6 November 2025
  • ISBN: 9781405968492
  • Imprint: Penguin eBooks
  • Format: EBook
  • Pages: 912

A Life in Letters




The arc of literary giant John Updike's life emerges in these luminous daily letters to family, friends, editors, and lovers — a remarkable outpouring over six decades, from his earliest consciousness as a writer to his final days

In the words of his contemporary, Philip Roth, John Updike was ‘Our time’s greatest man of letters – as brilliant a literary critic and essayist as he was a novelist and short-story writer’.

Over the course of his long and immensely productive career, he also proved himself a brilliant correspondent, his letters filled with comic observations, opinions and personal news, told in his characteristically elegant and exquisitely fluid style.

In this sparkling selection of his letters, edited by James Schiff, we can see Updike in real time, capturing every stage of his unspooling life, from Pennsylvania farm boy to Pulitzer prizewinner; and from young father negotiating his first book contract to the bestselling writer he became, following the international success of his novels Couples and the ‘Rabbit ‘sequence.

Here are letters to family, friends, editors and lovers, a remarkable outpouring over six decades – including, most movingly perhaps, the letters of his final year bidding farewell to children, colleagues and friends.

Taken together, these missives make a page-turning ‘life in letters’ like no other – an intimate testament to one of the greatest of all American writers.

  • Published: 6 November 2025
  • ISBN: 9781405968492
  • Imprint: Penguin eBooks
  • Format: EBook
  • Pages: 912

About the author

John Updike

John Updike was born in 1932 in Shillington, Pennsylvania, and died in January 2009. He attended Shillington High School, Harvard College and the Ruskin School of Drawing and Fine Art at Oxford, where he spent a year on a Knox Fellowship. From 1955 to 1957 he was a member of the staff of the New Yorker, to which he has contributed numerous poems, short stories, essays and book reviews. Since 1957 he has lived in Massachusetts as a freelance writer.

John Updike's first novel, The Poorhouse Fair, was published in 1959. It was followed by Rabbit, Run, the first volume of what have become known as the Rabbit books, which John Banville described as 'one of the finest literary achievements to have come out of the US since the war'. Rabbit is Rich (1981) and Rabbit at Rest (1990) were awarded the Pulitzer Prize for Fiction.

Other novels by John Updike include Marry Me; The Witches of Eastwick, which was made into a major feature film; Memories of the Ford Administration; Brazil; In the Beauty of the Lilies; Toward the End of Time; Terrorist; Villages; and The Widows of Eastwick, a sequel to The Witches of Eastwick. He wrote a number of volumes of short stories, and a selection entitled Forty Stories – which includes stories taken from The Same Door; Pigeon Feathers; The Music School; and Museums and Women – is published in Penguin, as is the highly acclaimed The Afterlife and Other Stories. His criticism and his essays, which first appeared in magazines such as The New Yorker and The New York Review of Books, have been collected in five volumes. Golf Dreams, a collection of his writings on golf, has also been published. His Collected Poems 1953-1993 brings together almost all of the poems from five previous volumes, including 'Hoping for a Hoopoe', 'Telephone Poles' and 'Tossing and Turning', as well as seventy poems previously unpublished in book form. John Updike's last books were Endpoint, a final collection of poems, and My Father's Tears and Other Stories, a collection of short stories. Both were published by Penguin in 2009.

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Praise for A Life in Letters

Missives from the mountain. . . . A sprightly and revealing collection by the writer who captured postwar American life, love, and loss

Kirkus

One of the greatest American writers of the 20th century . . . Brilliant, riveting and essential for anyone remotely interested in Updike; shockingly salacious enough to enthral the remotely curious; and cleverly annotated for easy reading . . . The best letters are those to his wives in the 1970s, where you realise that Updike’s greatness as a writer lies not in his much-lauded descriptive powers, nor in his ability to weave arcane areas of computer science or theology into his fiction, but in his ruthlessly honest psychological acuity, as he lays himself bare — right down to admitting he likes to beat his wife’s lover at golf

The Times

By turns fascinating, embarrassing, and even moving, the letters reveal that Updike’s ceaseless coupling was never quite about lust at all. It was about faith — about locating meaning amid the mundanities of the modern world

UnHerd

A profoundly poignant portrait, an invaluable historical document, and a timely reflection on the eternal tensions between societal conventions and free speech . . . The great writer has been branded a misogynist and narcissist. Yet as his letters prove, his writing remains uncannily evocative

The Telegraph

John Updike had the mind of a middling middle-class postwar American male, and the prose style of a literary genius . . . Friends, enemies and lovers animate more than 60 years of the author’s remarkable correspondence . . . John Updike, the man incapable of writing a bad sentence

Guardian

Wonderfully copious . . . Updike simply had it: an instinctive feeling for the shape of American sentences, for the murmuring music of nouns and verbs and the way they could pin reality to the page

New Statesman

The book’s editor James Schiff’s footnotes provide illuminating context and help to bring Updike and his world charging into the present with such force that, at times, it is difficult to accept that the man who wrote these letters is dead . . . Updike was a prodigious correspondent but this selection is also a paean to the vanishing art of letter writing. Will such a book be possible in the future? A dashed off email is not going to reveal a personality as vividly, no matter who writes it. Updike would not have accepted a sombre ending so I’ll just say his letters are gold, shining with insights about literature and life, and an opportunity to hear his voice as clearly as anywhere else in his oeuvre

Financial Times

The letters and postcards (Updike loved a postcard) contain more than just pretty phrases. He talked shop – the writing, reading and manufacture of books – but also engaged in brave and sometimes anguished explorations of ambition, lust, love, guilt and shame

The Spectator

A dizzyingly great collection, from undergraduate to world-striding voice, of the loves and deep interests of an American titan. Such writing!

Big Issue, 'Great Reads of 2025'

Updike reveals himself here to be just as sharp, charming, and humane in correspondence as he was in fiction. These letters confirm what admirers have long suspected: that his gift for language was not confined to the printed page but thrived in the everyday act of writing to others . . . For readers of his fiction, it enriches and reframes familiar themes; for newcomers, it provides an introduction to one of America’s most distinctive writers

Voice Mag