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  • Published: 15 March 2009
  • ISBN: 9781845951559
  • Imprint: Pimlico
  • Format: Trade Paperback
  • Pages: 560
  • RRP: $135.00

A Life Of Picasso Volume I

1881-1906




The first volume of John Richardson's extraordiinary biography of Picasso

From 1950 to 1962, John Richardson lived near Picasso in France and was a friend of the artist. With a view to writing a biography, the acclaimed art historian kept a diary of their meetings. After Picasso's death, his widow Jacqueline collaborated in the preparation of this work, giving Richardson access to Picasso's studio and papers.

Volume one of this extraordinary biography establishes the complexity of Picasso's Spanish roots; his aversion to his native Malaga and his passion for Barcelona and Catalan "modernisme". Richardson introduces new material on the artist's early training in religious art; re-examines old legends to provide fresh insights into the artistic failures of Picasso's father as an impetus to his sons's triumphs; and includes portraits of Apollinaire, Max Jacob and Gertrude Stein, who made up "The Picasso Gang" in Paris during the "Blue" and "Rose" periods.

  • Published: 15 March 2009
  • ISBN: 9781845951559
  • Imprint: Pimlico
  • Format: Trade Paperback
  • Pages: 560
  • RRP: $135.00

About the author

John Richardson

John Richardson was born in London in 1924. He studied art at the Slade School but soon gave up painting for art criticism. In 1949 he moved to France, where befriended Picasso, Braque, Léger, and Cocteau. The first volume of his magisterial four-volume A Life of Picasso won the Whitbread Prize in 1991. He was also the author of the memoir, The Sorcerer's Apprentice; an essay collection, Sacred Monsters, Sacred Masters; and books on Manet and Braque. He wrote for the New York Review of Books, New Yorker and Vanity Fair. He was made a Corresponding Fellow of the British Academy in 1993, and served as the Slade Professor of Fine Art at Oxford University from 1995 to 1996. He died in 2019.

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Praise for A Life Of Picasso Volume I

Richardson, it hardly needs repeating, is steeped in Picasso and his life (his own friendship with Picasso is the tacit bedrock of this biography) but the arguments he makes are always precise and cogent, never blithely assertive.

William Boyd, The Spectator