A Trick I Learned from Dead Men

A dark, but oddly funny novel... Sad, funny and very moving

Easy Living

Kitty Aldridge’s latest novel mixes pathos and bathos in industrial quantities…he [Lee Hart] is an immensely likeable protagonist and Aldridge has absolutely captured his engagingly open inner voice

Scotland on Sunday

This small but perfectly formed third novel from Kitty Aldridge is over too soon but is impressively accomplished, nailing the distinctive voice of its protagonist… Inventive coming-of-age tale

Metro

An uplifting tale of life after death. Dead good

Time Out

Wonderful… I am completely convinced by Lee and drawn along with his narrative voice which Kitty Aldridge has pitched to perfection… Kitty has taken a taboo subject and achieved that fine balance, writing engagingly and openly, and with great sensitivity and humour about something most of us just don't like to think or talk about

Dove Grey Reader

Aldridge is a skilled observer and the novel is full of detailed, sometimes strangely beautiful descriptions... Aldridge shows her eye for detail: there is joy to be found in the mundanities of day-to-day life

Times Literary Supplement

Aldridge beautifully captures Lee’s thought patterns... Her research is impeccable, and the quirky portrait of funeral home routine will appeal to fans of the TV series Six Feet Under

Daily Mail

Pitch-perfect ... blackly funny, moving

Independent

A Trick I Learned From Dead Men is a wonderful book, written with a mixture of pathos and bleak humour that brings to mind classic television comedies such as The Office... Lee’s narration seems beautifully true: it is stop-start, cliché ridden, and marked by that peculiarly British tendency to point out the stray cloud in an otherwise spotless sky

Financial Times

Both tragic yet somehow life-affirming, her novel holds you to the end

Sunday Times

Immensely powerful

Independent on Sunday

A wonderfully funny, original novel ... joyous and life-affirming

Guardian

Aldridge’s writing is a rare find: startlingly original without being showy, skilfully crafted but not selfconsciously literary, a genuine, honest voice… Harrowing and hilarious, profound but unpretentious, this book conjures up a compelling world and an eminently likeable protagonist. For all the dead bodies and thwarted lives, it is surprisingly uplifting

Juanita Coulson, The Lady