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  • Published: 1 December 2010
  • ISBN: 9781409018773
  • Imprint: Vintage Digital
  • Format: EBook
  • Pages: 192
Categories:

Arrival and Departure




The third novel of Arthur Koestler's trilogy.

This was the third novel of Arthur Koestler's trilogy on ends and means - the other two are THE GLADIATORS and DARKNESS AT NOON - and the first he wrote in English. The central theme is the conflict between morality and expediency, and in this novel Koestler worked it out in terms of individual psychology. Peter Slavek starts out as a brave young revolutionary, but suffers a breakdown. On the analyst's couch he is made to discover, in Koestler's own words, 'that his crusading zeal was derived from unconscious guilt'.

  • Published: 1 December 2010
  • ISBN: 9781409018773
  • Imprint: Vintage Digital
  • Format: EBook
  • Pages: 192
Categories:

About the author

Arthur Koestler

Arthur Koestler was born in Budapest in 1905. He attended the University of Vienna before working as a foreign correspondent in the Middle East, Berlin and Paris. For six years he was an active member of the Communist Party, and was captured by Franco in the Spanish Civil War. In 1940 he came to England, adopting the language with his first book in English, Scum of the Earth. His publications manifest a wide range of political, scientific and literary interests, and include Darkness at Noon, Arrow in the Blue and The Invisible Writing. He died in 1983 by suicide, having frequently expressed a belief in the right to euthanasia.

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Praise for Arrival and Departure

Arthur Koestler has developed a descriptive power which is at once irresistible and unbearable...It is brilliantly done. Not the least impressive thing is the incidental picture, casually built up by a touch of colour here and there, of the city itself, with its polyglot population of every nation.

Daily Telegraph

His attitude is profoundly and honourably intellectual in that he sees life as a series of mental and moral problems to be solved, or at least to be clearly stated...I have criticised Arrival and Departure not as a current novel by which criterion the faintest doubt of its supremacy would be out of place, but as the enduring work of art which I believe it may prove to be. Its qualities are not only of a high but of an extremely rare order.

New Statesman