From the Centre

I've always viewed Patricia Grace as a kind of oracle. Long before it was fashionable to be anti-racist, she was calling out questionable children's books for depicting harmful stereotypes. She demanded story sovereignty from the beginning, refusing to put a glossary of kupu Maori in her books because she didn't want to suggest that we were foreign in our own land. From the Centre relays a lifetime of doing things her own way. It is the curated memories of a beloved wahine Maori who readers will enjoy getting close to. . . . The memoir is also an insight into the creative process of a celebrated writer. . . . She is bold, unafraid to do what is right for her and her stories. For me, it was a history lesson dressed in memory. There is so much about our recent history which has been obscured and the testimony of someone who was there strips the forgetting away. . . . It is a political act to remember that these are people who made a difference. . . . With Grace there is no distance between us, no shallow interpretation and we recognise that, in learning history, it matters who is telling the story.

Emma Espiner, Sunday Star-Times

A taonga of Aotearoa’s literary scene, Patricia Grace has a living legacy that began with short stories and progressed into novels, one of which was adapted into a film this year. Her latest work is a memoir. . . . From the Centre is a fascinating piece of social history about life in a bicultural family in New Zealand during wartime and in the decades afterwards.

Sarah Catherall, Weekend Press

A memoir from one of our most significant authors is rich and rewarding. . . . Grace has a voice like no other. Her prose is spare but rich with detail and imagery. Her stories' rhythms evoke the tradition of Maori oral storytelling. . . . This memoir reads as if she's telling her mokopuna anecdotes from her life not necessarily telling everything but what's important to know. . . . A terrific memoir from one of our most significant writers.

Sarah Lang, NZ Listener

Book of the month: This memoir begins with a beautiful metaphor. Grace describes how she prefers to write in the living areas of her house there is an office, but the art happens where the life is. She describes the bush, flowers and birds outside these spaces to complete the scene, leading naturally to the story of her land at Hongoeka and its ownership. These themes are circled back to at the elegiac conclusion. From start to finish there is an emotional warmth that suffuses every sentence.

North & South

Understated and humble, this is the memoir of a proud and strong woman who has refused to stay silent about the things that matter to her. Written in her unique and rhythmic style it reads as though she is recalling anecdotes from her life and relaying them to the reader. A writer of unassuming magnitude.

Prue des Forges, Rotorua Weekender

Grace's writing is gentle and strong, and often funny in an out-of-the-side-of-the-mouth way. As in her fiction, there’s an absence of judgment of the characters. Instead, there’s a clarity there for the reader to interpret, and Grace has a marvellous talent for dialogue as character description. . . . This is a magnificent portrait of a writing life within these decades in Aotearoa.

Marion Castree, Stuff

Where there's Grace, there's power! Life has made Patricia Grace stronger, as this powerful (although touching) memoir reveals. Expressing her deep connection to her roots and ancestral land, and offering a candid account of facing prejudice, this book charts the life and work of a (now acclaimed) writer, from her childhood to the present day.

1/6/2021, EastLife Magazine

From the Centre traverses the expected distances from a rich childhood through to the present day, navigating the reader along chronological lines and in Patricia Grace’s distinctive voice, allowing us insight into the ways in which her many beloved stories and novels have emerged from her lived experience. But it also travels the enormous distance from the moon and back, powered on the incredible wingspan of her imagination. . . . The pages of this book are the leaves laid down as nest for whanau, and from whanau. . . . From the Centre is far more than a memoir, and on second reading I’m no longer convinced that ‘chronology’ is a useful descriptor. This book is cyclical and constant, it is political, it is geography on the hem of the ocean - a place where the moon and the birds converse.

Anahera Gildea, Newsroom