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  • Published: 1 August 2024
  • ISBN: 9781802066531
  • Imprint: Penguin eBooks
  • Format: EBook
  • Pages: 112
Categories:

Grand Tour

Poems




A stunning debut poetry collection from one of America's rising literary stars: 'A mesmerizing book, deeply original, one of the most profound reading experiences I’ve had in years' (Louise Glück)

Grand Tour, the debut collection of poetry by Elisa Gonzalez, dramatizes the mind in motion as it grapples with something more than an event: she writes of a whole life, to transcendent effect. By the end, we feel we have been witness to a poet remaking herself.

Gonzalez's poetry depicts the fullness of living. There are the small moments: \"white wine greening in a glass,\" trumpet blossoms \"panicking across the garden.\" Some poems adopt the oracular quality of a parable but invariably refuse a clear moral. The poet moves through elegy, romantic and sexual encounters, family history, and place--Cyprus, Puerto Rico, Poland, Ohio--all constellated in \"a chaos of faraway.\" The collection is held together less by answers than by a persistent question: How do you reconcile a hatred for the world's pain with a love for that same world, which is indivisible from its worst aspects? Gonzalez's poems draw us nearer to our own aliveness, its fragility and sustaining questions. \"Since I do love the world,\" she says, she keeps writing, inviting us to accompany her as she searches.

  • Published: 1 August 2024
  • ISBN: 9781802066531
  • Imprint: Penguin eBooks
  • Format: EBook
  • Pages: 112
Categories:

Praise for Grand Tour

A stunning exploration not just of what we perceive but the shifting, illusory nature of perception itself

The Rumpus

Gonzalez's poetry is as graceful as it gets

Santa Barbara Independent

This vivid, searching début collection traverses and troubles borders between nations, languages, lovers, the past and the present, the living and the dead; combining reflections on art and history with astute observations of everyday life, Gonzalez contends with the world's capacity for profound suffering and for near-unbearable beauty in equal measure

New Yorker