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  • Published: 15 August 2014
  • ISBN: 9781590178096
  • Imprint: NY Review Books
  • Format: Paperback
  • Pages: 184
  • RRP: $45.00

The Burning of the World

A Memoir of 1914




This is the world premiere of this beautiful, haunting memoir of World War I, recently discovered among the artist Béla Zombory-Moldován's private papers. Publishing in the 100th anniversary year of the War, Zombory-Moldován's account of the almost-apocalyptic carnage of 1914 is executed with a painter's eye for color, detail, and heartbreaking symbolism in every image.

Publishing during the 100th Anniversary of the First World War
 
An NYRB Classics Original
 
The budding young Hungarian artist Béla Zombory-Moldován was on holiday when the First World War broke out in July 1914. Called up by the army, he soon found himself hundreds of miles away, advancing on Russian lines and facing relentless rifle and artillery fire. Badly wounded, he returned to normal life, which now struck him as unspeakably strange. He had witnessed, he realized, the end of a way of life, of a whole world.

Published here for the first time in any language, this extraordinary reminiscence is a powerful addition to the literature of the war that defined the shape of the twentieth century.

  • Published: 15 August 2014
  • ISBN: 9781590178096
  • Imprint: NY Review Books
  • Format: Paperback
  • Pages: 184
  • RRP: $45.00

Praise for The Burning of the World

"To be in a war, within it, to know what that means, to understand the appalling and dreadful significance of all that is appaling and dreadful--such was the fate of this gentle Hungarian painter, who, with several million companions, became entangled in the First World War and was never able to free himself from its memories. He tried to do so, nonetheless; he tried to free himself from these memories--this volume is the proof of that. This is perilous reading: the reader is invited, along with the writer, the one who remembers, to take part in what happened. But this is what we must do: from sympathy, from compassion, so that the one who truly lived through all of this will not be so utterly, unbearably alone." --Laszlo Krasznahorkai

"One reads with never-ending curiosity and ever deeper emotions the recollections of a compassionate artist of the first year of World War I on the nearly forgotten Eastern front. Unlike in the West, here there were few trenches; instead, there was constant movement within which vast armies of ill-equipped and ill-trained Russians, Cossacks, Caucasians, Asians, Austro-Germans, Reich Germans, Hungarians, Romanians, Poles, Czechs, Slovaks, Croats, Serbs, Slovenes, and innumerable other nationalities massacred each other for causes that many, if not most participants were unable to understand." --Istvan Deak, Columbia University

"To be in a war, within it, to know what that means, to understand the appalling and dreadful significance of all that is appaling and dreadful--such was the fate of this gentle Hungarian painter, who, with several million companions, became entangled in the First World War and was never able to free himself from its memories. He tried to do so, nonetheless; he tried to free himself from these memories--this volume is the proof of that. This is perilous reading: the reader is invited, along with the writer, the one who remembers, to take part in what happened. But this is what we must do: from sympathy, from compassion, so that the one who truly lived through all of this will not be so utterly, unbearably alone." --Laszlo Krasznahorkai

"One reads with never-ending curiosity and ever deeper emotions the recollections of a compassionate artist of the first year of World War I on the nearly forgotten Eastern front. Unlike in the West, here there were few trenches; instead, there was constant movement within which vast armies of ill-equipped and ill-trained Russians, Cossacks, Caucasians, Asians, Austro-Germans, Reich Germans, Hungarians, Romanians, Poles, Czechs, Slovaks, Croats, Serbs, Slovenes, and innumerable other nationalities massacred each other for causes that many, if not most participants were unable to understand." --Istvan Deak, Columbia University