The Cat

The romans durs are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place . . . utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining

John Banville

One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories

Guardian

Irresistible... read him at your peril, avoid him at your loss

Sunday Times

Simenon's skill is such that he never misses a trick in this brilliant study of old age, of obsession and of a human relationship gone wrong. The novel is done with great economy, and the author's psychological perceptions are sharper than ever. It is a remarkable achievement by a remarkable writer

New York Times

A great writer of detail, of atmosphere. His descriptions of Paris influenced me

Leïla Slimani, Financial Times

The novels brim with atmosphere, insight and intelligence . . . quite unlike anything else written before or since

India Knight, The Times

Exquisite, amazing books... brilliantly executed... a master

Cillian Murphy

A quite wonderful study of how uncompromising humans become in their old age ... This novel has been given the label of "classic" for a reason. The writing is rich, the plot is interesting — Simenon, in his infinite literary wisdom, ticks all the boxes of fine storytelling. But it’s the depth of character that boosts it from good to great ... If you’ve already read Simenon, it’s a reminder of his talent. And if you haven’t, think of The Cat as a gateway drug

Ceci Browning, The Sunday Times

Penguin continues to do impeccable service to the legacy of the great French crime writer Georges Simenon with The Cat, expertly translated by Ros Schwartz; the latter’s work eclipses every earlier version of this 1967 classic. Émile and Marguerite are a mature Parisian couple who no longer talk, their mutual antipathy exacerbated by the death of Émile’s much loved cat and Marguerite’s parrot. What results is a terrifying battle of wills. No one is better than Simenon at showing how banal domestic conflict can lead to murderous catastrophe, and this is one of his most authoritative non-Maigret romans durs

Barry Forshaw, Financial Times

This grimly fascinating novel is written in a clear, efficient fashion, the better to tell us what led to this peculiar domestic arrangement … It is a tribute of sorts to the capriciousness of humans that people can become accustomed to, or even dependent on, the most bizarre approaches to life. This novel, first published in 1967, illustrates our idiosyncrasies unsparingly

Declan O'Driscoll, Irish Times

This reissue of The Cat is ‘a classic’: an acerbic story of two souls trapped within their desperation, their obsession, and the expectations of their age. It is a universal story that brims with insight, wit, and atmosphere

Unseen Histories