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About the book
  • Published: 2 February 2012
  • ISBN: 9781446474563
  • Imprint: Cornerstone Digital
  • Format: EBook
  • Pages: 272

The Greatcoat




Terrifyingly atmospheric ghost story by the Orange-prize-winning Helen Dunmore.

In the summer of 1954, newly wed Isabel Carey arrives in a Yorkshire town with her husband Philip. As a GP he spends much of his time working, while Isabel tries hard to adjust to the realities of married life. Life is not easy: she feels out-of-place and constantly judged by the people around her, so she spends much of her time alone.

One cold winter night, Isabel finds an old RAF greatcoat in the back of a cupboard that she uses to help keep warm. Once wrapped in the coat she is beset by dreams. And not long afterwards, while her husband is out, she is startled to hear a knock at her window, and to meet for the first time the intense gaze of a young Air Force pilot, handsome, blond and blue-eyed, staring in at her from outside.

His name is Alec, and his powerfully haunting presence both disturbs and excites Isabel. Her initial alarm soon fades, and they begin a delicious affair. But nothing could have prepared her for the truth about Alec's life, nor the impact it will have on her own marriage...

  • Pub date: 2 February 2012
  • ISBN: 9781446474563
  • Imprint: Cornerstone Digital
  • Format: EBook
  • Pages: 272

About the Author

Helen Dunmore

Helen Dunmore was an award-winning novelist, children’s author and poet who will be remembered for the depth and breadth of her fiction. Rich and intricate, yet narrated with a deceptive simplicity that made all of her work accessible and heartfelt, her writing stood out for the fluidity and lyricism of her prose, and her extraordinary ability to capture the presence of the past.

Her first novel, Zennor in Darkness, explored the events which led D. H. Lawrence to be expelled from Cornwall on suspicion of spying, and won the McKitterick Prize. Her third novel, A Spell of Winter, won the inaugural Orange Prize for Fiction in 1996, and she went on to become a Sunday Times bestseller with The Siege, which was described by Antony Beevor as a ‘world-class novel’ and was shortlisted for the Whitbread Novel of the Year and the Orange Prize. Published in 2010, her eleventh novel, The Betrayal, was longlisted for the Man Booker Prize and shortlisted for the Orwell Prize and the Commonwealth Writers Prize, and The Lie in 2014 was shortlisted for the Walter Scott Prize for Historical Fiction and the 2015 RSL Ondaatje Prize.

Her final novel, Birdcage Walk, deals with legacy and recognition – what writers, especially women writers, can expect to leave behind them – and was described by the Observer as ‘the finest novel Helen Dunmore has written’. She died in June 2017, and in January 2018, she was posthumously awarded the Costa Prize for her volume of poetry, Inside the Wave.

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Praise for The Greatcoat

“Sweetly spooky and romantic tale”

Press Association

“a sweetly spooky and romantic tale”

Style (Cambridge)

“A classic ghost story ... where the novel stands out is in its wonderful sketches of the utter creepiness of life in Carey's dark little flat ... a perfect ghost story, that will reward Hammer horror readers as well as open-minded Dunmore fans. This ghostly, literary war story could be the start of a beautiful friendship.”

Independent on Sunday

“Wrap yourself in a blanket, pour a glass of wine and lose yourself in this atmospheric ghost story ... full of twists, turns and jump-out-of-your-skin shocks, we'd advice you leave the lights on while reading.”

WeightWatchers magazine

“Dunmore evokes the loneliness of the newlywed protagonist, to haunting effect.”

Radio Times

“A great read, peopled with likely characters and a satisfyingly spooky outcome.”

Candis

“In her Afterword, Dunmore says that her inspirations for this ghost story were The Turn of the Screw and Tom's Midnight Garden, stories which deal with the past's imprint upon the present. Her own story stands comparison with those illustrious models… A genuinely eerie story in which both the living and the dead are equally real.”

Independent on Sunday

“the best kind of ghostly tale - one that has you pondering its implications - and checking the back of dark cupboards - long after the final page”

i, Independent


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