Terrifyingly atmospheric ghost story by the Orange-prize-winning Helen Dunmore.
In the summer of 1954, newly wed Isabel Carey arrives in a Yorkshire town with her husband Philip. As a GP he spends much of his time working, while Isabel tries hard to adjust to the realities of married life. Life is not easy: she feels out-of-place and constantly judged by the people around her, so she spends much of her time alone.
One cold winter night, Isabel finds an old RAF greatcoat in the back of a cupboard that she uses to help keep warm. Once wrapped in the coat she is beset by dreams. And not long afterwards, while her husband is out, she is startled to hear a knock at her window, and to meet for the first time the intense gaze of a young Air Force pilot, handsome, blond and blue-eyed, staring in at her from outside.
His name is Alec, and his powerfully haunting presence both disturbs and excites Isabel. Her initial alarm soon fades, and they begin a delicious affair. But nothing could have prepared her for the truth about Alec's life, nor the impact it will have on her own marriage...
“Sweetly spooky and romantic tale”
“a sweetly spooky and romantic tale”
“A classic ghost story ... where the novel stands out is in its wonderful sketches of the utter creepiness of life in Carey's dark little flat ... a perfect ghost story, that will reward Hammer horror readers as well as open-minded Dunmore fans. This ghostly, literary war story could be the start of a beautiful friendship.”
Independent on Sunday
“Wrap yourself in a blanket, pour a glass of wine and lose yourself in this atmospheric ghost story ... full of twists, turns and jump-out-of-your-skin shocks, we'd advice you leave the lights on while reading.”
“Dunmore evokes the loneliness of the newlywed protagonist, to haunting effect.”
“A great read, peopled with likely characters and a satisfyingly spooky outcome.”
“In her Afterword, Dunmore says that her inspirations for this ghost story were The Turn of the Screw and Tom's Midnight Garden, stories which deal with the past's imprint upon the present. Her own story stands comparison with those illustrious models… A genuinely eerie story in which both the living and the dead are equally real.”
Independent on Sunday
“the best kind of ghostly tale - one that has you pondering its implications - and checking the back of dark cupboards - long after the final page”