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  • Published: 27 August 2026
  • ISBN: 9781802067910
  • Imprint: Penguin eBooks
  • Format: EBook
  • Pages: 320

The Red Book of Farewells




A riveting, witty novel about revolutionary love and motherhood: the final volume in Pirkko Saisio's award-winning Helsinki trilogy

‘This is where she would like to belong, here in the kingdom of women, where words are sharp but gazes are soft.’

In 1970s Helsinki, a revolutionary storm is blowing through Pirkko Saisio’s university. She has moved out of her family home, joined a communist theatre, and fallen in love for the first time. Her newly shaved head looks unmistakably modern, and Bertold Brecht lives on her windowsill to profess God-like words of wisdom.

Playful, moving and original, this autofictional coming-of-age story embeds the reader in a world where art and activism are irrevocably intertwined, and where queer love, still a crime, thrives in underground bars.
In her mesmerizing account of radical politics and sexual awakening, Pirkko Saisio offers a series of farewells, to her mother, to the idealism of youth, to friends and lovers and finally to her grown daughter. The grand finale of the award-winning Helsinki trilogy, The Red Book of Farewells embraces the revolutionary potential of moving on.

  • Published: 27 August 2026
  • ISBN: 9781802067910
  • Imprint: Penguin eBooks
  • Format: EBook
  • Pages: 320

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Praise for The Red Book of Farewells

The Finnish super­star finally com­ing to our shelves ... As Pirkko Saisio's books show us, life writ­ing is every bit as much about storytelling as writ­ing fic­tion is. Exper­i­ence is noth­ing if it’s not turned into words on the page ... I found myself admir­ing Saisio’s writ­ing, ener­get­ic­ally grap­pling with it, laugh­ing with it

Lucy Scholes, Daily Telegraph

There’s a nimble and fluid quality to the prose that makes the book deeply pleasurable to read. Plaudits are due here to the translator, Mia Spangenberg

Chris Power, Observer

This is a story with a sense of both the ridiculous and the serious. Told in clear prose, it playfully shifts between third and first person as Saisio recounts her memories then analyses them. This enchanting series deserves to become a modern classic

John Self, Guardian