- Published: 9 February 2027
- ISBN: 9780241826348
- Imprint: Penguin Classics
- Format: Trade Paperback
- Pages: 128
- RRP: $37.00
Virtue and Rosalind
- Published: 9 February 2027
- ISBN: 9780241826348
- Imprint: Penguin Classics
- Format: Trade Paperback
- Pages: 128
- RRP: $37.00
Betting on the Nobel Prize is a risky errand, but Serre feels like an increasingly decent bet . . . She does more in 100 words than most writers do in 10,000. This tale of a woman’s love of art and life marks another success
Best Books for 2026, The Telegraph
This book is like an enchanted castle. Speaking of her craft, Jane Austen said she worked on little pieces of ivory with a brush of extreme finesse. Anne Serre must have found that magic brush again at a flea market
Le Canard enchaîné
With Serre, there is neither autofiction, nor autobiography, nor confession, nor historical novel, only fiction – pure fiction – and fantasy, in the manner of Franz Kafka or Robert Walser, whom she counts among her masters
Le Figaro littéraire
A tribute to friendship, a stroll among beloved authors, and a poetic work of art in itself – sustained by an irony and wit that never let up
Le Temps
Anne Serre observes life with intelligence and ingenuity, turning everyday facts into a source of delight, often bound up with the unexpected turns in her stories. Her writing is deeply controlled, and her surprising endings give enormous meaning to the whole
France Culture
It is very rare for lightness to be a literary merit, for it not to rhyme with superficiality. But if we understand the word as Walter Benjamin does when he speaks of the heartbreaking, unshakable, inhuman ‘superficiality’ of Robert Walser’s characters returned from madness, we may come closer to the secret of Anne Serre’s writing. Her playful practice of literature is an art of detachment
Le Monde des livres
Anne Serre is a great writer, and this text is one of her finest
ELLE
Strangely unsettling and spellbinding
Livres Hebdo
A novel that is incredibly rich, yet imbued with lightness; its movement not linear, but impressionistic. A pleasure to read, and later, to think about
Amina Cain, author of My New Face
Virtue and Rosalind is enthralling in the leaps it takes through fashion, friendships, and literary forebears. At once bewildering and intimate, this is a book that feels like a treasured friend. I cannot stop thinking about it
Charlotte Shevchenko Knight, author of Food for The Dead