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  • Published: 15 March 2018
  • ISBN: 9780804170239
  • Imprint: Knopf US
  • Format: Paperback
  • Pages: 320
  • RRP: $40.00
Categories:

When the World Stopped to Listen

Van Cliburn's Cold War Triumph, and Its Aftermath




From the acclaimed author of A Natural History of the Piano: the poignant and timely story of the 1958 Tchaikovsky International Piano Competition in Moscow, where, at the height of Cold War tensions, an American musician demonstrated how art could change the world.

April 1958: The Soviets were leading the space race, the Iron Curtain was at its heaviest, and the Tchaikovsky International Piano Competition in Moscow seemed certain to crown a hometown champion. But as the world’s finest young pianists descended on the Russian capital, an unlikely favorite emerged: Van Cliburn, a polite, lanky Texan whose passionate virtuosity captured the hearts of the Russian people—and thawed Cold War tensions in a way no one would have thought possible.
 
This is the story of what unfolded that spring—for Cliburn and the other competitors, for jurors and party officials, and for the citizens of the world. It is a behind-the-scenes look at one of the most remarkable events in musical history, filled with political intrigue and personal struggle as artists strove for self-expression and governments jockeyed for prestige. At the core of it all is the value of artistic achievement, the supremacy of the heart, and the transcendent freedom that can be found, through music, even in the darkest moments of human history.

  • Published: 15 March 2018
  • ISBN: 9780804170239
  • Imprint: Knopf US
  • Format: Paperback
  • Pages: 320
  • RRP: $40.00
Categories:

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Praise for When the World Stopped to Listen

  • "Not only is Isacoff's prose evocative, he is both a pianist and a historian of the piano. His descriptions are often music lessons in themselves." --The New York Review of Books
  • "If you want to know why Cliburn played the way he played--and how his distinctive style helped him win--then Mr. Isacoff is your man." --The Wall Street Journal
  • "A vivid tale of politics and music in high places." --Financial Times
  • "Riveting.... [Isacoff] approaches the subject with the seasoned eye of a classical music journalist." --Gramophone