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  • Published: 15 April 2013
  • ISBN: 9780812984903
  • Imprint: Random House US Group
  • Format: Paperback
  • Pages: 256
  • RRP: $36.00
Categories:

Buchanan Dying

A Play




Appearing for the first time in trade paperback and using the definitive text, here is America's greatest 20th-century belletrist's only work for the stage.

To the list of John Updike’s well-intentioned protagonists—Rabbit Angstrom, Richard Maple, Henry Bech—add James Buchanan, the harried fifteenth president of the United States (1857–1861). In what the author calls “a kind of novel, conceived in the form of a play,” Buchanan’s political and private lives are represented as aspects of his spiritual life, whose crowning, condensing act is the act of dying. This definitive edition includes a Foreword by Updike, discussing early productions of the work, the historical context in which it was written, and its kinship to his later novel Memories of the Ford Administration. A wide-ranging Afterword fleshes out this dramatic portrait of one of America’s lesser known, and least appreciated, leaders.

  • Published: 15 April 2013
  • ISBN: 9780812984903
  • Imprint: Random House US Group
  • Format: Paperback
  • Pages: 256
  • RRP: $36.00
Categories:

About the author

John Updike

John Updike was born in 1932 in Shillington, Pennsylvania, and died in January 2009. He attended Shillington High School, Harvard College and the Ruskin School of Drawing and Fine Art at Oxford, where he spent a year on a Knox Fellowship. From 1955 to 1957 he was a member of the staff of the New Yorker, to which he has contributed numerous poems, short stories, essays and book reviews. Since 1957 he has lived in Massachusetts as a freelance writer.

John Updike's first novel, The Poorhouse Fair, was published in 1959. It was followed by Rabbit, Run, the first volume of what have become known as the Rabbit books, which John Banville described as 'one of the finest literary achievements to have come out of the US since the war'. Rabbit is Rich (1981) and Rabbit at Rest (1990) were awarded the Pulitzer Prize for Fiction.

Other novels by John Updike include Marry Me; The Witches of Eastwick, which was made into a major feature film; Memories of the Ford Administration; Brazil; In the Beauty of the Lilies; Toward the End of Time; Terrorist; Villages; and The Widows of Eastwick, a sequel to The Witches of Eastwick. He wrote a number of volumes of short stories, and a selection entitled Forty Stories – which includes stories taken from The Same Door; Pigeon Feathers; The Music School; and Museums and Women – is published in Penguin, as is the highly acclaimed The Afterlife and Other Stories. His criticism and his essays, which first appeared in magazines such as The New Yorker and The New York Review of Books, have been collected in five volumes. Golf Dreams, a collection of his writings on golf, has also been published. His Collected Poems 1953-1993 brings together almost all of the poems from five previous volumes, including 'Hoping for a Hoopoe', 'Telephone Poles' and 'Tossing and Turning', as well as seventy poems previously unpublished in book form. John Updike's last books were Endpoint, a final collection of poems, and My Father's Tears and Other Stories, a collection of short stories. Both were published by Penguin in 2009.

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Praise for Buchanan Dying

“An abundant, even opulent, creative act . . . Very often Mr. Updike’s fantastic talent for mimicry produces quite marvelous results.”—Arthur Schlesinger, Jr., The Atlantic Monthly
 
“Using the excuse of nineteenth-century speech, Updike has indulged his love of beautiful, ornate prose; we can sink deep into sentences balanced like mobiles and turned like pots on the wheel.”—Chicago Tribune
 
“In the real-life figure of the too hastily judged James Buchanan . . . Updike has at last found vehicles for his gifts of compassion and capacity to create characters ‘in the round.’ ”—Financial Times

  • Buchanan Dying is "an abundant, even opulent, creative act...very often Mr. Updike's fantastic talent for mimicry produces quite marvelous results."--Arthur Schlesinger Jr., The Atlantic Monthly
  • "Using the excuse of 19th century speech, Updike has indulged his love of beautiful, ornate prose; we can sink deep into sentences balanced like mobiles and turned like pots on the wheel."--Joyce B. Markle, The Chicago Tribune
  • "In the real-life figure of the too hastily judged James Buchanan...and in the unusual form of the 'play meant to be read'...John Updike has at last found vehicles for his gifts of compassion and capacity to create characters 'in the round.'"--Martin Seymour-Smith, The Financial Times (London)