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  • Published: 1 November 2018
  • ISBN: 9781473558052
  • Imprint: Ebury Digital
  • Format: EBook
  • Pages: 224

Conflicts

A Better Way to Resolve Them




How to use lateral thinking to find lasting and satisfying solutions to conflicts with Edward de Bono, the master of creative thinking.


Think, don't fight.

In today’s world we use an out of date thinking system to navigate our way through modern society, especially when it comes to conflicts and disagreements.

Conflicts argues that instead of our age old system of debate we should adopt what de Bono calls a ‘design idiom’ and use lateral thinking to navigate a feud. If two parties think their argument is best, we should be introducing a third party role. De Bono explains how this concept of triangular thinking and map making is the way forward.

By highlighting how the current system holds us back and offering practical alternatives De Bono paves the way for a fundamental shift in conflict resolution.

  • Published: 1 November 2018
  • ISBN: 9781473558052
  • Imprint: Ebury Digital
  • Format: EBook
  • Pages: 224

About the author

Edward de Bono

Edward de Bono studied at Christ Church, Oxford (as a Rhodes Scholar). He also holds a PhD from Cambridge and an MD from the University of Malta. He has held appointments at the universities of Oxford, London, Cambridge and Harvard. In 1967 de Bono invented the now commonly used term 'lateral thinking' and, for many thousands, indeed millions, of people worldwide, his name has since become a symbol of creativity and new thinking. He has written numerous books, which have been translated into 34 languages, and his advice is sought by Nobel laureates and world leaders alike. www.debono.com

Also by Edward de Bono

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Praise for Conflicts

The huge number of readers who are devoted to the work of the late Henning Mankell will find in this, his last novel, all the characteristics they value: the observant descriptions of the minutiae of daily life, the gentle melancholy, the careful analysis of relationships (especially between fathers and daughters) and, above all, the inevitability of loneliness and loss

Literary Review

The novel's atmosphere is bleak and elegiac, suggesting that Mankell wrote it with his own impending death in mind

Joan Smith, Sunday Times

This profoundly gloomy yet ultimately hopeful novel - the last from the late grand master of Scandinavian noir - revolves around discovering who could have been responsible for this senseless crime

John Williams, Mail on Sunday

This final novel from Mankell (the Kurt Wallander series), posthumously published in a stunning English translation, questions what happens to a person who has lost everything-and who considers himself too old to rebuild... It's a skillfully told, exquisitely structured story filled with sharp insights into human nature and unflinching examinations of the complex relationships to which people bind themselves in order to feel a little bit less alone.

Publishers Weekly

A bracing look at a twilight year in the life of an old man who, when confronted daily by perfectly good reasons for giving up altogether, doesn't so much rise above as plow stoically through them.

Kirkus Reviews

It is very moving and rather beautiful

Sunday Express

After the Fire is full of regret, loneliness and the melancholy of growing old, but there is also hope and love.

The Times

This strange, beguiling book...gives closure to a substantial career without becoming maudlin or overly bleak. The waters around Welin's island may freeze in the winter, but there is human warmth to be found in these pages, along with glimmers of hope and consolation... The bell may have tolled for one of Scandinavia's finest writers, but his connection to those left behind is unbroken.

Ian Rankin, Guardian

This posthumous translation by Marlaine Delargy, captivating in its delicately wry tone, echoes the seemingly flat reportage of Mankell's prose: it somehow grabs you and won't let you go. Mankell's last novel is an elegiac meditation on old age and impending death. The extraordinary gift of Mankell's bleak narrative is to make the last months of the life of his depressed and, frankly, unsympathetic and solitary anti-hero, both comforting and even inspiring. It is Mankell's own candle in the lightless void

Marina Vaizey, Arts Desk

Lovely. Elegiac and steeped in the emptiness of the Swedish landscape

Claire Allfree, Metro

A powerful reminder that [Mankell] was also a literary writer of considerable accomplishment... After the Fire is a life-enhancing novel... a suitable final curtain for a much-missed modern novelist

Barry Forshaw

Elegiac and melancholic.

Bethanne Patrick, Washington Post