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  • Published: 7 February 1995
  • ISBN: 9780099485612
  • Imprint: Vintage Classics
  • Format: Paperback
  • Pages: 192
  • RRP: $30.00
Categories:

Quicksand





A startling novel from this master of Japanese fiction, dealing with obsessive love, corruption and beauty.

A seductive psychological thriller about obsession, jealousy and deceit - and a Japanese queer classic. Sonoko must tell her story. Listen and decide for yourself.

Sonoko Kakiuchi is a cultured Osaka lady in an uninspiring marriage. When she decides to take an art class in town she meets the extraordinary Mitsuko, a woman as beautiful and charismatic as she is cunning. They begin a passionate affair but as Sonoko’s infatuation with Mitsuko deepens, she finds herself sinking ever-further into a quicksand of sex, humiliation and deceit.

‘A riveting tale of malevolent corruption fatally masked by a terrible and deceptive beauty’ Kirkus Reviews

‘Classic Tanizaki…exuberant storytelling within a multi-layered narrative of sexual obsession’ Japan Times

WITH AN INTRODUCTION BY KRISTEN ROUPENIAN

  • Published: 7 February 1995
  • ISBN: 9780099485612
  • Imprint: Vintage Classics
  • Format: Paperback
  • Pages: 192
  • RRP: $30.00
Categories:

About the author

Junichiro Tanizaki

Junichiro Tanizaki was one of Japan's greatest twentienth century novelists. Born in 1886 in Tokyo, his first published work - a one-act play - appeared in 1910 in a literary magazine he helped to found. Tanizaki lived in the cosmopolitan Tokyo area until the earthquake of 1923, when he moved to the Kyoto-Osaka region and became absorbed in Japan's past.

All his most important works were written after 1923, among them Some Prefer Nettles (1929), The Secret History of the Lord of Musashi (1935), several modern versions of The Tale of Genji (1941, 1954 and 1965), The Makioka Sisters, The Key (1956) and Diary of a Mad Old Man (1961). He was awarded an Imperial Award for Cultural Merit in 1949 and in 1965 he was elected an honorary member of the American Academy and the National Institute of Arts and Letters, the first Japanese writer to receive this honour. Tanizaki died later that same year.

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Praise for Quicksand

A riveting tale of malevolent corruption fatally masked by a terrible and deceptive beauty: fatal attraction in a 1920s Japanese setting

Kirkus Reviews

Quicksand reads like a mixture of James Cain and Vladimir Nabokov and teases us with forbidden pleasures

Washington Times

A harrowing black comedy of love and death

Chicago Tribune

Beautifully and mysteriously contrived

Newsday