The Disappearers

James brings multilayered life to a troubling era in his homeland’s recent history. He engages with his landscapes and the diverse characters populating them with intensity, passion, and bountiful, often graphic detail. With the same affinity for Dickensian storytelling he’s shown in his sword-and sorcery epics, James tells this searingly realistic tale through interview fragments, journal entries, letters, and in recreating the horrific attack, with random, frantic voices that leave unsettling echoes. Even when it stress-tests your senses, this sprawling depiction of gay life in Jamaica is galvanizing

Kirkus Reviews *starred review*

Crackling with sass, suspense and scintillation, The Disappearers is Marlon James’s unapologetic and unvanquished masterpiece on queer rage and solidarity

Santanu Bhattacharya

This language-rich novel is filled with vivid slang … As always, James writes exceptionally well….This book may remind readers of works by John Rechy, Jean Genet, William Burroughs, and Hubert Selby, but James is his own man

Library Journal, *starred review*

Captivating and epic . . . James renders his characters’ tumultuous inner lives with striking imagery and energy; their dialogue is rapid, keen, and hard-hitting. In all, a gritty, powerful, and gripping read

Booklist

The Disappearers is among Marlon James’s most ambitious and history-making works, a novel that examines territory Caribbean literature has rarely dared to occupy . . . James is a singular literary talent. His dialogue is sharp and propulsive, his phrasing is poetic, visceral and capable of moving from the painful to the darkly hilarious within a single exchange

Booker Prize Judges

A scorching exposé of homophobia in Jamaica . . . Mighty, grand and peripatetic . . . Few books have mapped the beleaguered realities of queer existence with such psychological depth, harrowing realism and searing condemnation . . . James makes room for the contradictions of queer life, its intimacies, estrangements and hungers, in utterly indelible ways. His prose is a consistent triumph: bitter and hilarious, lyrical, bawdy, pugnacious and scorchingly, ravishingly queer. The Booker judges have described this novel as a "reckoning"; it is incontestably also a haunting . . . A remarkable novel

Guardian