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  • Published: 4 August 2020
  • ISBN: 9780143774761
  • Imprint: RHNZ Vintage
  • Format: Trade Paperback
  • Pages: 288
  • RRP: $36.00

The Tally Stick




A gripping new novel from one of our leading writers.

A compulsive and chilling novel about subjugation, survival and the meaning of family.Up on the highway, the only evidence that the Chamberlains had ever been there was two smeared tyre tracks in the mud leading into the almost undamaged screen of bushes and trees. No other cars passed that way until after dawn. By that time the tracks had been washed away by the heavy rain . . . It was a magic trick. After being in the country for only five days, the Chamberlain family had vanished into the air. The date was 4 April 1978.

In 2010 the remains of the eldest Chamberlain child have been discovered in a remote part of the West Coast, showing he lived for four years after the family disappeared. Found alongside him are his father’s watch and what turns out to be a tally stick, a piece of wood scored across, marking items of debt.

How had he survived and then died? Where was the rest of his family? And what is the meaning of the tally stick?

  • Published: 4 August 2020
  • ISBN: 9780143774761
  • Imprint: RHNZ Vintage
  • Format: Trade Paperback
  • Pages: 288
  • RRP: $36.00

About the author

Carl Nixon

Carl Nixon is an award-winning short story writer, novelist and playwright. He has twice won the Sunday Star Times Short Story Competition, and won the Bank of New Zealand Katherine Mansfield Short Story Competition in 2007. His first book, Fish ’n’ Chip Shop Song and other stories went to number one on the New Zealand bestselling fiction list, and was shortlisted for the Commonwealth Writers’ Prize for Best First Book.

Nixon completed his first novel while he was the Ursula Bethell/Creative New Zealand Writer in Residence at Canterbury University in 2006. Rocking Horse Road saw him identified as ‘a major talent’ by North & South, and was long-listed for the International IMPAC Dublin Literary Award 2009. It has been published in China, France, and Germany and was on several lists for the best crime novels in Germany in 2012. His second novel, Settlers’ Creek, was also long-listed for the Dublin Literary Award. His novel, The Virgin and the Whale is being developed as a feature film by South Pacific Pictures.

His stage plays have been produced in every professional theatre in New Zealand. They include Mathew, Mark, Luke and Joanne,The Birthday Boy and The Raft. He has adapted for the stage Lloyd Jones’s novel The Book of Fame and JM Coetzee’s Disgrace. He was awarded the 2020 Howard McNaughton Prize at the Adam NZ Play Awards, recognising excellence in a unproduced script.

In 2018 Carl Nixon was awarded the Katherine Mansfield Menton Fellowship in France where he worked on The Tally Stick.

See more at www.carlnixon.co.nz/

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Praise for The Tally Stick

I would place it firmly amongst what's called a literature of unease so it's very ominous and very foreboding . . . is completely compelling and which you admire the skill of so much, the writing is very powerful . . . it keeps you hooked . . . it's really masterful writing . . . I highly recommend it.

Louise O'Brien, Radio NZ

Nixon sketches in aspects of his characters’ lives deftly. . . . There’s much more, including a present day subplot involving the children’s aunt travelling from New Zealand to the UK in search of her family. It’s this thread that provides a poignant twist near the novel’s end, just before a final scene that takes us back to the beginning and provides a resonant conclusion.

Paul Little, Newsroom

‘The car containing the four sleeping children left the earth.’ That is a perfect opening sentence, conveying both mystery and dread, an almost fairy-tale dimension (dreaming children) existing alongside the brutal image of a serious car crash on a remote road on the West Coast of the South Island in the distant 1970s. . . . Does that sound Grimm? There are further fairy-tale resonances, but Nixon, who always sticks close to realism, doesn’t push them too far. . . . he is an enormously competent, highly skilled and accessible writer who successfully straddles the gulf between literary and commercial worlds. The Tally Stick? . . . is an efficient, gripping story, a Kiwi Gothic thriller that is confidently and economically told. It is probably his strongest novel. It would also make a hell of a movie, or better yet, a TV series. Nixon has things to say about adaptation and identity, about family and home, about colonialism and the new rituals and beliefs we might adopt or invent in a new land (the author has a religious studies qualification), but he lets these and other themes glide under the surface like one of his giant eels. The imagery of falling returns at the end, but there is a contrary movement, a floating above things, almost birdlike, which imparts a sense of hope and a belief in some kind of greater balance, just as Nixon balances his hard realism with a spiritual dimension.

Philip Matthews, ANZL

The Tally Stick unravels a yarn of acceptance, denial, love and resentment. There are many subtle investigations into why people behave as they do, and how simple but necessary choices affect everything. Every event and every conversation is essential to the plot with the things left unsaid and unexplained as the most powerful moments that will leave the reader thinking about the moral rights and wrongs of this story for some time to come. This is the best kind of novel: complex, contemplative, upsetting, written with an ease and flow that makes it a compelling read.

Louise Ward, Wardini Books

The Tally Stick begins like a waking dream, a horrifying free fall where time stretches out before snapping sickeningly back into place . . . Nixon’s opening paragraphs capture the stillness, the speed, the clarity of this horror, before punching us back into reality. From here, the novel is taut and well-plotted, balancing a mounting sense of dread with unexpected payoffs, and dancing across two parallel storylines . . . The action doglegs in often unexpected but satisfying ways . . . it challenges our expectations of genre, and in doing so engages with thorny questions about the nature of our relationships with one another. In this sense, the titular tally stick is really a McGuffin. Sure, it has a literal purpose at one stage. It’s a good hook, and its initial appearance is one of many oh shit, what now moments in the plotting. But it comes to stand in for bigger questions about reciprocity and obligation that act as the marrow of the story . . . All elements of suspense, genre and environment aside, this exploration of reciprocity illustrates how The Tally Stick is invested in looking at identity in post-colonial Aotearoa, with gestures towards England then and now . . . Nixon’s satisfying book suggests that the myriad and sometimes shifting obligations we have to one another, as well as the things that we specifically owe, aren’t mere transactions. Instead, they form the meat and sinew of our relationships, however tangled those relationships may be. To pretend otherwise will leave you alone, or, in the case of Mo, royally screwed.

Erin Harrington, The Spinoff

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