> Skip to content
  • Published: 24 June 2008
  • ISBN: 9780553905199
  • Imprint: RH US eBook Adult
  • Format: EBook
  • Pages: 256

Winesburg, Ohio





Hemingway, Faulkner, Updike and Carver all rated Anderson. After reading the thriftily evoked lives of the residents of Winesberg Ohio, you will too.

Selected by the Modern Library as one of the 100 best novels of all time

"Here [is] a new order of short story," said H.L. Mencken when Winesburg, Ohio was published in 1919.  "It is so vivid, so full of insight, so shiningly life-like and glowing, that the book is lifted into a category all its own."  Indeed, Sherwood Anderson's timeless cycle of loosely connected tales--in which a young reporter named George Willard probes the hopes, dreams, and fears of the solitary people in a small Midwestern town at the turn of the century--embraced a new frankness and realism that ushered American literature into the modern age.  

"There are moments in American life to which Anderson gave not only the first but the final expression," wrote Malcolm Cowley.  "Winesburg, Ohio is far from the pessimistic or morbidly sexual work it was once attacked for being.  Instead it is a work of love, an attempt to break down the walls of loneliness, and, in its own fashion, a celebration of small-town life in the lost days of good will and innocence."

  • Published: 24 June 2008
  • ISBN: 9780553905199
  • Imprint: RH US eBook Adult
  • Format: EBook
  • Pages: 256

About the author

Sherwood Anderson

Sherwood Anderson was born in 1876 and grew up in a small town in Ohio. He served in the Spanish-American War, worked in advertising and managed an Ohio paint factory before abandoning both job and family to embark on a literary career in Chicago. His first novel Windy McPherson's Son, was published in 1916; his second, Marching Men, a characteristic study of the individual in conflict with industrial society, appeared in 1917. But it is Winesburg Ohio, published in 1919, that is generally considered his masterpiece. His later novels, including Poor White, Many Marriages and Dark Laughter, continued to depict the spiritual poverty of the machine age. He died in 1941.