'Marshall’s dextrous examination of the ambiguities of relationships' - NZ Listener
Rich and subtle, this is a compelling novel from one of New Zealand's finest writers.
It is a moving study of love and disappointment, of the harm we do to each other, knowingly and unknowingly, of the power and significance of landscape in our lives.
A graveyard is all that's left of the remote Central Otago settlement of Drybread, which miners, often hungry and disappointed, once searched for gold. It is to an old cottage nearby that Penny Maine-King flees with her young son, defying a Californian court order awarding custody of the child to her estranged husband.
And seeking her in this austere, burnt country is journalist Theo Esler. He is after a story, but he discovers something far more personal and significant.
“Drybread’s success lies in Marshall’s dextrous examination of the ambiguities of relationships – between parents and children, spouses, work colleagues and lovers – and how the needs of those on the inside don’t often coincide . . . In its best moments, Drybread contains what Marshall achieves in his stories, and the narrative pace fluctuates from a thriller to a love story.”
Kevin Rabalais, NZ Listener