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  • Published: 1 June 2005
  • ISBN: 9780140448009
  • Imprint: Penguin Classics
  • Format: Paperback
  • Pages: 144
  • RRP: $21.00

Three Tales




Three stories that form Flaubert's last complete work and reveal him as a master of the short story form.

First published in 1877, these three stories are dominated by questions of doubt, love, loneliness and religious experience, and together form a triumphant conclusion to Flaubert's literary career. With elegant simplicity, 'A Simple Heart' relates the story of Félicité - an uneducated serving-woman who retains her Catholic faith despite a life of desolation and loss. Inspired by a stained-glass window in Rouen cathedral, 'The Legend of Saint Julian Hospitator' describes the fate of Julian, a sadistic hunter destined to murder his own parents. The blend of faith and cruelty that dominates this story may also be found in 'Herodias' - a reworking of the tale of Salomé and John the Baptist.

  • Published: 1 June 2005
  • ISBN: 9780140448009
  • Imprint: Penguin Classics
  • Format: Paperback
  • Pages: 144
  • RRP: $21.00

Other books in the series

Maldoror and Poems
On Sparta
Love
Annals
Military Dispatches

About the author

Gustave Flaubert

Gustave Flaubert was born in Rouen in 1821, the son of a distinguished surgeon and a doctor's daughter. After three unhappy years of studying law in Paris, an epileptic attack ushered him into a life of writing. Madame Bovary won instant acclaim upon book publication in 1857, but Flaubert's frank display of adultery in bourgeois France saw him go on trial for immorality, only narrowly escaping conviction. Both Salammbo (1862) and The Sentimental Education (1869) were poorly received, and Flaubert's genius was not publicly recognized until Three Tales (1877). His reputation among his fellow writers, however, was more constant and those who admired him included Turgenev, George Sand, Victor Hugo and Zola. Flaubert's obsession with his art is legendary: he would work for days on a single page, obsessively attuning sentences, seeking always le mot juste in a quest for both beauty and precise observation. His style moved Edmund Wilson to say,'Flaubert, by a single phrase - a notation of some commonplace object - can convey all the poignance of human desire, the pathos of human defeat; his description of some homely scene will close with a dying fall that reminds one of great verse or music.' Flaubert died suddenly in May 1880, leaving his last work, Bouvard and Pécuchet, unfinished.

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